RERAMIC STUDIO 
DANDELIONS— CONVENTIONAL STUDY-HENRIETTA BARCLAY PAIST 
TREATMENT OF DANDELIONS 
Henrietta Barelay Paist 
AY in with fiat waslies. Ft)r tlie lea^'es and buds a crisp 
green — Moss Crreen J and Brown Green (or Darlv Green) 
mixed. For the flowers, a strong wash of Albert Yellow. 
The steins White or Pale Green. The whole outlined against 
a background of Black and Yellow Brown. 
L 
PORCELAIN OF SEVRES 
IT is exacth' 150 years since the porcelain manufactory at 
Sevres, which has now practically become a school of in- 
dustrial art, was established. 
Tlie principal building at vSevres contains the collection of 
tlie ceramic museum, which occupie,s the entire first floor, the 
ground floor being taken up with the newlj' manufactured 
products permanently exposed, the salesrooms, the library 
and the offices of the administration, on the second story the 
collection of models classified by epochs, which ofters valuable 
material for the history of art during the last two centuries. 
The studios are grouped behind the central building, with 
which a glass gallery places them in connection. 
First comes the furnace hall, connected directly with the 
large studio for the fashioning of pieces of sculpture, the enamel- 
ing studios, the studios of sculpture and decoration, the ex- 
perimental studios, the technical museum, the hall of demon- 
stration, and the different rooms for the students of the insti- 
tution; finally, the casting rooms, those for mounting the dif- 
ferent pieces, and the reserve room, in which one finds a collec- 
tion of paintings and studies of the highest order, the dominat- 
ing work being that of Francois De.sportes. 
Isolated from the other l^uildings is the building devoted 
to artists, in which the work' of decoration by the employment 
of enamel glazings, the work' of gilding, of chiseling, and of 
mounting is performed. — Boston Journal. 
