72 
RERAMIC STUDIO 
CHERRIES— LOUISE M. SMITH 
FIRST fire. Fruit— Use Yellow Red, shading with Pompa- 
dour and Blood Red with Albert Yellow,|and Yellow 
Brown for reflected lights. For darker cherries add a touch 
of Ruby to the Blood Red. Model carefully, keeping some of 
the fruit rather fiat, as they appear back of the more prominent 
ones. 
Keep the leaves warm in tone, adding some Blood 
and Ruliv where they melt into the darker effects of the 
background. 
Second Fire — Retouch with same colors, adding Blood Red 
to the two purple shadows, and snaps to the stems. 
Third fire consists in wa.shes to harmonize the whole. 
THE BOOK OF ROSES 
Studies for the China Painter and 
the Student of Water Colors .... 
It contains over forty pages of designs and studies, many of which have appeared in back numbers of Ker- 
amic Studio now out of print, and the volume is also enriched by nine color studies by the following artists: Mar- 
shal Fry, F. B. Aulich, Sara Wood-Safford, E. Louise Jenkins, Anna B, Leonard, Rhoda Holmes Nicholls and 
Teana McLennan Hinman. 
Among the other contributors to the book we have K. E. Cherry, Mary Alta Morris, Henrietta B. Paist> 
Hattie V. Young Palmer, Ida C. Failing, Marianna Heath, A. A. Robineau, Sara B. Vilas, M. M. Mason, L M. 
Ferris, Nellie Sheldon, F. G. Wilson, Alyce Barber Pflager, Mariam L. Candler, Mary Alley Neal, E. Mason. 
The book is designed to meet the requirements of both schools of decoration, the Conventional and Natural- 
istic, the space devoted to each being about equally divided. Treatments for china painting are published in full and 
many of the designs are accompanied by treatments for water colors. 
The size of page and quality of paper used is the same as Keramic Studio, the whole is tastefully bound 
and will be sent post-paid or express paid on receipt of $S.OO. 
As the edition is a limited one, we ask you to place your order as soon as possible. 
Prospectus mailed on application. K-ERAMIC STUDIO PUB. CO., Syracuse, N. Y. 
