174 
liERAMlC STUDIO 
STUDIO NOTE 
We have just received an interesting little circular frona 
the Misses Heath, Harcourt Studios, Boston, showing the work 
of children in their manual training school of art, after the 
methods of J. Liberty Tadd. The circular is well illustrated 
with half-tones showing the children at work. 
The New York Societj^ of Keramic Arts held its regular 
November meeting as usual, at The National Arts Club, West 
33d street. The Societj^ was addressed by Mr. Charles Lamb 
of the well Icnown firm of makers of ecclesiastical stained 
glass. 
PLUMBAGO 
K. E. Cherry 
FIRvST fire — Flowers, use Sea Green and Deep Blue Green, 
use Violet with saine for those in shadow; the greens are 
a blueish cast; use Moss with Sea Green and shading with Black 
for darkest tones. 
Second fire — Flowers, shade Banding Blue and Violet 
touches in center of Banding Blue and Black. The buds have 
touches of pink on them. 
Background — Use Copenhagen Blue, Violet, Yellow and 
Yellow Brown. 
DRAGON FLY DESIGN FOR BOWL AND PLATE— E. LAURA RIPLEY 
Two color schemes are suggested for this design. 
No. I. Tint all over with Allsert or Orange Yellow 
and fire. 
Tint edge with Brown Green, dragon flies, Apple Green; 
wide margin around design. Pale Yellow; outline Brown. 
No. 2. Tint all over. Pearl Grey with a touch of Blue 
Green and Apple Green, fire. Then tint margin Violet a shade 
deeper than background of border; dragon flies, Apple Green 
shaded_with^Violet; margin around dragon flies, Jonquil Yellow; 
outlines, Violet or Gold. 
