252 
RERAMIC STUDIO 
BUILT POTTERY— MARSHAL PRY. 
that we have only to repeat that the shapes and treatment are 
similar to the pieces shown at the Pan-American — much open 
work and inlaid glazes and the unusual pinks and reds together 
with blues and greens in the coloring. It is with regret that 
we hear that she does not at present intend to push her work 
farther on account of trouble with her kiln and because of her 
other interests, for Miss McLaughlin expresses herself by means 
of many mediums, the metal work at present absorbing her 
attention. 
BOWLS IN BLUE AND WHITE-^. VAN NORDEN PECK. 
MARSHAL FRY 
The seven small pieces of pottery shown by Marshal Frj^ 
in the Fine Arts Building at St. Louis have been illustrated 
before in Keramic Studio but are worth showing again on 
account of their exquisite feeling for form, color and decoration. 
If the field of overglaze decoration did not need him so acutelv 
one would be tempted to pray that he would devote himself 
to pottery so that the artistic standing of American potters 
might receive his invaluable aid. 
TANKARD IN SWEDISH GOOSEBERRIES (Page 239) 
Jeanne Stewart 
THESE berries are very large, transparent and warm in 
color. The principal bunch should be painted with 
Lemon Yellow, Yellow Ochre, Yellow Green and Stewart's 
Pompadour with touches of Chestnut Brown; while the re- 
maining clusters, which are not so ripe, should be painted with 
Yellow Green, Olive Green, Shading Green and Brown Green 
with a little Pompadour used on a few that are more ripe, 
consequently warmer in color. The darkest leaf in principal 
bunch should be laid in in Egg Yellow, Yellow Ochre, Chestmit 
Brown, Pompadour and Brown Green, representing an old 
faded leaf, with strong dark accents. The rest of the leaves 
in greens growing lighter and more shadowy toward the ends 
of the sprays. 
In the second fire apply a background, shading from 
Ivory Yellow and Yellow Ochre at the top to Brown Green and 
Shading Green at the base of tankard. A touch of warm 
sunny color. Egg Yellow and Yellow Brown, thrown under 
the leaves at the right of principal bunch makes the ground 
much more effective. 
In the third fire strengthen design and background and 
add shadows. The background should be kept very dark at 
the base and to obtain this eftect, dust with powder color 
when readj^ for third fire. The high lights in berries should be 
wiped out with fine pointed brush when first laid in, and must 
not be lost in the repeated retouching. 
The largest loom in the world is one recently built in 
Germany for weaving artists' painting cloth. It is capable 
of weaving feltings forty-eight feet wide. 
