10 
nilRAMIC STUDIO 
photographs, consequently some of the best groups were not 
usable, but we have enough illustrations to show very satis- 
factory designs. 
The thing that most impressed the visitor was the won- 
derful color harmony and workmanlike execution, which in 
many instances made really poor designs attractive. 
We hope next year to have a larger variety of different 
kinds of work. This Exhibition consisted almost entirely 
Georgia P. Unger 
of Enamel work. The large soft glaze bowls were done in 
enamel in rather high relief, while the plates, cups, saucers, 
etc., were nearly all done in flat enamel, or enamel in very 
low relief. While there was a strong feeling that more of the 
work might have been carried out in something beside enamel, 
yet on the whole, the Exhibition revealed a great diversity 
of expression, and much real talent was brought to light. 
A very interesting part of the Exhibition, I might say, 
Georgia P. Unger 
almost the chief feature of the display, was the beautiful Bel- 
leek dinner set that the Lenox Incorporated of Trenton, N. J. 
presented to the Society. This set was decorated by nine 
members, and was sold for the benefit of the Society. 
The success of the Exhibition, both from the standpoint 
of attendance as well as sales, proves conclusively that there 
is a large demand for the over-glaze work done by our Ameri- 
can women. 
Cracker Jar and Candlestick — Mrs. Georgia Unger Plate and Bowl — Mrs. George Draegert 
KERAMIC SOCIETY OF GREATER NEW YORK 
