RERAMIC STUDIO 
n 
a thin wash of Turquoise Blue over the Ughts of the blue 
flowers; strengthen the dark places with same colors used in 
the first fire; put the dark touches in the leaves with Shading 
Green and Brown Green. 
Leah H. Rodman 
KERAMIC SOCIETY OF GREATER NEW YORK 
MORNING GLORY— (Page 13) 
Treatment by Kathryn E. Cherry 
SKETCH design, then paint the darker flowers around the 
light flower, use Banding Blue with a little Violet; for 
the dark marking use more of the Violet than the Banding Blue. 
The centers are a thin wash of Yellow for Painting and a little 
Apple Green as you shade up to the Blue. The darkest part 
of flower is painted with Banding Blue and Ruby. The light 
flower is painted with Turquoise Blue used very thin and a 
little Mauve toward the center; the dark markings are Blood 
Red and a little Mauve; center is Painting Yellow. Paint the 
leaves with Apple Green, Yellow Green for the lighter ones; 
Yellow Green and Brown Green for the darker touches; in 
the very dark touches use Shading Green; the stems are Apple 
Green and a little Mauve. Paint the background with Paint- 
ing Yellow, Copenhagen Blue, a little Mauve and a little Tur- 
quoise Blue. 
Second Fire — Use the same colors as the first firing. Wash 
EGG CUP— A. LINGLEY 
Treatment by Jessie M. Bard 
THE body of the chickens, bands and all of the flower form 
except the small spot at the top are Copenhagen Blue 
two parts, one part Banding Blue, three parts Grey for Flesh. 
The comb, eye and light space in wing of the chicken, also the 
small spot in the flower are Blood Red and Yellow Red. Feet 
and bill of the chicken are Albert Yellow and a little Yellow 
Brown; the end of the tail is outlined with the Red. 
FRUIT BOWL— LEAH H. RODMAN 
Treatment by Jessie M. Bard 
Paint the large fruit with Blood Red and a little Yellow Red. Leaves are Moss Green and a little Brown Green. Remainder 
of design Auburn or Hair Brown and a little Blood Red. Background is a thin wash 
of Yeflow Brown and a little Blood Red. 
