36 
RERAMIC STUDIO 
BLEEDING HEART, VASE— HANNAH B. OVERBECK 
Hannah B. Overbeck 
TINT entire vase with Black Green and fire. There need 
be no outlines or where they are not along backgi'ound 
of band they may be in Black Green. Paint light parts of 
flowers and stems in Yellow Green with a little Black and 
other parts of flowers Ruby; tint upper and lower parts of 
vase with Black Green 1-2, Grey for Flesh 1-2, and fire. In 
third firing dust background of band with Black Green and 
strengthen flower parts. 
BLEEDING HEART STUDY (Page 37) 
Hannah B. Overbeck 
■pAINT darker parts of flowers with Rose and outline all 
A other flower parts in with Rose so that all have the same 
tone of rose. Paint lighter flower parts lightly with Rose 
with a touch of Yellow Green along the central line of these 
light parts. Outline leaves and stems with Olive Green with 
a little black and paint upper parts of leaves with same and 
paint lower parts of leaves and stems with Grey Green with 
a little black. On background apply a tint of Grey Green 
1-3 Grey for Flesh 2-3. 
BLEEDING HEART, PLATTER (Page 37) 
Hannah B. Overbeck 
THERE may be black or very narrow gold outlines. Paint 
small dark spots Empire Green and those parts in sec- 
ond darkest tone Rose; on all other parts and band on edge 
use Grey Green with a little black and tint backgi'ound of 
band with Dark Green No. 7. 
BLEEDING HEART, BOWL (Page 38) 
Hannah B. Overbeck 
OUTLINE with Hair Brown. Paint dark parts of side 
Hunter's Green and other parts and bands Yellow 
Ochre 2-3, Hair Brown 1-3; tint background of band with 
Hair Brown and leave lower part of bowl white. 
BLEEDING HEART, MILK PITCHER (Page 38) 
Hannah B. Overbeck 
OUTLINE all with Blood Red and paint dark parts of 
flowers with same. Paint all other parts of flowers in 
Yellow Ochre and rest of design and band about top with 
Brown Green with a little Black. There should be a light 
tint of Brown Green 1-2, Finishing Brown 1-2 on lower back- 
ground spaces and a heavier tint of Yellow Ochre 1-3, Fini5h- 
ing Brown 2-3 on backgi'ound on upper part of pitcher. 
^ ^• 
BLEEDING HEART, CUP AND SAUCER (Page 40) 
Hannah B. Overbeck 
Outline with Black, paint darker parts of design with Copen- 
hagen Blue. Paint other parts of design and bands with 
Mussen Brown with a little Grey for Flesh and background 
with Copenhagen Blue. 
BLEEDING HEART, BISCUIT JAR (Page 40) 
Hannah B. Overbeck 
LEAVE narrow spaces for gold outlines. On the darker 
parts of the design use Ruby and on the lighter parts 
Imperial Ivory with a little Grey for Flesh. On the background 
of the band use a heavy tint of Grey for Flesh and all other 
parts may be tinted with Grey for Flesh 1-2, Imperial Ivory 1-2. 
^ IM- 
PISH PLATTER (Page 29) 
Treatment by Jessie M. Bard 
TRACE in the design and oil all the dark parts except on 
the fish and dust with Water Blue— do not oil it very 
heavily. A httle Ivory Glaze may be added to the color to 
prevent it from getting too dark. The dark spaces on tha 
fish are Green Gold. A band of the gold may be added near 
the edge of the tray. 
