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KERAMIC STUDIO 
BORDERS— RUTH M. RUCK (Page 88) 
Treatment by Jessie M. Bard 
No. 1. Oil and dust leaf forms with Florentine Green; 
the flower form is Cameo; the stem is Bright Green; center of 
flower is Lemon Yellow. 
No. 2. Thistle motif is done in gold for small plates and 
cups and saucers, then fired and filled in with pale gi'een 
enamels. 
No. 3. Violet border. Outline with black and fire; then 
dust the flowers with Mode, and the stems with Florentine 
Green. 
PINE CONE MOTIF BORDER (Page 88) 
Treatment by Jessie M. Bard 
/^UTLINE design with black. Second fire, oil cones and 
V^ dust with Coffee Brown; then dust line spaces with 
Florentine Green. 
o 
WILD ROSE BORDER (Page 88) 
Treatment by Jessie M. Bard 
UTLINE with Black, then fire; oil leaves and dust with 
Apple Green; oil flowers and dust with Cameo. 
^ ^ 
STUDY OF VIOLETS— HELENA E. HANSCOM 
Treatment by Jessie M. Bard 
OUTLINE with Grey for Flesh and fire; then paint leaves 
with Apple Green and Shading Green for darker tones 
and Yellow Green for lighter tones; the stems are Mauve and 
Apple Green; the flowers are Mauve and Banding Blue for 
dark tones, and Deep Blue Green and Violet for lighter tones. 
TRUMPET CREEPER (Page 91) 
Treatment by Kathryn E. Cherry 
npms sheet can be nicely adapted for conventional designs, 
J- good motif for tankards, jardinieres. Design is outlined 
in Grey for Flesh; the flowers are Painting Yellow, shaded to 
Yellow Red; the leaves are Moss Green and Brown Green. 
For background use Yellow Brown, Brown Green and Blood 
Red. 
CUP AND SAUCER— MARY H. FEWSMITH 
Treatment by Jessie M.Bard 
OUTLINE design in India Ink; then oil dark 
places and dust with Dove Grey; then oil Violet 
and dust with Yellow for Dusting; the centers and stems 
• are Green Gold. 
