112 
REIKAMIC STUDIO 
STUDY AND DESIGN FOR GROUND CHERRIES— HENRIETTA BARCLAY PAIST 
T TNIT for stein or bowl. The same general color scheme 
^ as for plate should be followed and the unit could be 
connected by a band or panels of the warm tone suggested as 
background for panel (Warm Grey or mixture of Neutral Yel- 
low and Violet of Iron and Olive Green) The whole to be 
outlined with Gold or Black as preferred. 
For panel or small bowl— Tint all over with a soft, 
warm tone made by combining Neutral Yellow (Satsuma) and 
Violet of Iron, with perhaps a touch of Olive Green. Clean 
out the background color for the cherries as they are lighter 
and cooler in tone. After firing lay the leaves and stems with 
soft Grey Green using different values for variety but keeping 
the color flat. Lay the cherries with Neutral Yellow or 
Dresden Yellow Ochre to which a touch of Black has been 
added. The outlines should be gone over at the last firing to 
strengthen and perfect them. 
PEACH BORDER MOTIF— ABBOTT McCLURE 
Treatment by Jessie M. Bard 
TRACE design in carefully with India ink, then 
oil and dust fruit with Deep Ivory. The 
leaves are oiled then dusted with Florentine Green. 
The pointed motif which comes in between fruit is 
oiled and dusted in with Dove Grey. The bands 
are Dove Grey and the marking in bands are 
Florentine Green. 
PHISALIS— HARRIETTE B. BURT (Supplement) 
Treatment by Jessie M. Bard 
FOR the red rods use Albert Yellow, Yellow Brown, Blood 
Red and Yellow Red. Outline is Blood Red and a 
little Ruby. For the green pods use Lemon Yellow, Yellow 
Brown, Moss Green and Shading Green and a little Dark Brown 
and the same for the leaves and stems. For the violet tones 
use a little Violet No. 2. Background is Pearl Grey and a 
little Yellow Brown. 
Water Color Treatment — Harriette B. Burt 
The first wash is of Chrome Orange on the flower 
form, then Vermillion and Alyzarine Crimson, with Purple 
for the shadows; and Transparent Green (light) was used for 
the leaves and stems, with washes of Raw Sienna on some parts 
and Blue and Green combined on others. I also used a Warm 
Purple for the under shadowed part of leaves. 
BORDER OF BASKETS— ABBOTT McCLURE 
Treatment by Jessie M. Bard 
OUTLINE design carefully. The darkest spaces are 
oiled, then dusted with Bright Green. The medium 
greys ai'e oiled then dusted with Mode. The small black 
dots and lines are Green Gold. 
