156 
KERAMIC STUDIO 
CONVENTIONAL SUGGESTIONS (Page 143) 
Treatments by Jessie M. Bard 
PLATE, TRILLIUM 
OIL all the design except the flower and dust with 1 Yel- 
low Green, | Violet, 1 Pearl Grey, 2 Ivory Glaze. Oil 
the flower and dust with 3 Ivory Glaze, 1 Albert Yellow, 
1 Yellow Brown, 1 Pearl Grey. Center of flower is oiled and 
dusted with with 2 Yellow Red and 1 Yellow Brown. Oil 
back-ground and dust with 2 Pearl Grey, and 1 Palma Rose 
Salmon. 
BOWL, TRILLIUM 
Outline and darkest tones of design in Gold. Grey spaces 
around the flower are oiled and dusted with Cameo. The re- 
maining grey tones are oiled and dusted with Dove Grey. 
The back-ground may be left white or an ivory tint painted 
or dusted over it. 
PLATE (.Page 144) 
Treatment by Jessie M. Bard 
PAINT the outline of the flowers, the bands and the line 
design in Gold. Outline the leaves with 1 part Shading 
Green and 2 parts Dark Grey or Grey for Flesh. 
Second Fire — Paint the light flowers with a very thin 
wash of Blood Red to make a delicate pink and the dark ones 
a little heavier, centers are Yellow and stamens are Yellow 
Brown and a little Dark Brown. Leaves are Apple Green 
and a little Yellow Green and a little Yellow Brown. 
L 
RABBIT MUG-DORRIS D. MILLS 
OWER part of mug Albert Yellow with a touch of Black. 
Brown added. Moon, Albert Yellow. Rabbits, bands and 
spots Copenhagen Blue, with a touch of Black and Albert 
Yellow. 
CUP AND SAUCER— SARAH RYEL COMER 
Trace in design in Outlining Black then fire. Then dust dark with 1 part Apple Green, 2 parts Pearl Grey, 1 part Grey 
For Flesh, The medium_Grey_is Lemon Yellow 1 part, 2 parts Pearl Grey. The stems are Green Gold. 
