i2S 
KERAMIC STUDIO 
TEAPOT, BLACK EYED SUSAN (Supplement) 
Henrietta Barclay Paist 
OUTLINE the design with Black or Finishing Brown. 
Tint the entire piece with Satsuma, Neutral Yellow, 
or some soft dull ivory mixture. Lay the handle on cover, 
the inside of large handle and inside of spout, with Roman 
Gold and fire. 
Second Fire — Oil and dust the foliage with Grey Green 
and the petals of flowers with any Deep Yellow, Egg, Silver 
etc. The tone underneath will keep from being too bright. 
The centers are of Finishing Brown with a touch of Hair Brown. 
Go over the Gold and fire. 
For third fire go over the outline and if the tones are 
uneven wash over with color to flatten. 
Details are shown on page 121. 
GOOD WORDS FROM A FRIEND OF THE "KERAMIC" 
Josephine G. Widdemer, of Albany, N. Y., writes: "The 
Keiamic Studio ceitainly grows in beauty and value. I look 
eagerly for it every month and I own every issue from Number 
one Volume one and would not part with any of them." 
As we are now in the midst of the 15th Volume, the above 
compliment is thoroughly appreciated by the publishers. Ker- 
amic Studio was founded by Adelaide Alsop Robineau in April 
1899 
STUDIO NOTE 
Miss Myrtle E. Murphy, of Los Angeles, Cal., has opened 
a studio at 1752 West 49th Street, where she will receive pu- 
pils for class or private instruction in conventional design 
china painting. 
HOLLY PLATE— MRS W, C. McDONOUGH 
