134 
KERAMIC STUDIO 
FERNERY, BLEEDING HEART MOTIF— CLARA L. CONNOR 
OUTLINE in Dark Grey and Blood Red equal parts. 
Second Fire — Oil dark space at the top and dust with 
3 Pearl Grey, 1 Apple Green, 1 Shading Green, 2 Grey for 
Flesh or Dark Grey. Oil leaves and stems and dust with 2 
Yellow Green, 1 Violet, 3 Pearl Grey, 1 Ivory Glaze. Oil 
flowers and dust with 2 Yellow Red and 1 Yellow Brown. 
Oil background and dust with Pearl Grey and a very little 
Apple Green. 
DINNER SET (Pages 135, 136) 
Albert. W. Heckman 
FOR the outer bands and connecting lines use Yellow Green. 
Greywithatouchof Blacktotonedownthegreen. For the 
flower forms and stems use two parts Pearl Grey and one part 
Violet No. 2. If one may have a preference for a certain color 
on their dinner set it may be used in place of the violet. The 
small dots in the center of the flower forms are a Bright Yellow. 
The design for this set looks equally well when painted 
with gold or green gold over china that has been tinted a delicate 
cream color. Add a bit of bright color for the small dots and 
center upright stem and also insert a thin hair line of color 
between the double connecting lines. 
BOWL BORDER IN HORSE CHESTNUTS 
Dorris D. Mills 
TINT lower part of bowl Light Yellow Brown, border same, 
shade darker. Leaves Olive Green with a touch of 
Auburn Brown. Nuts Auburn Brown. Spots Blood Red 
with a touch of Auburn Brown. Nuts outlined in Gold, 
rest outlined in Dark Brown. Band at top same as leaves. 
Design can be all outlined in Gold or Black. Line bowl with 
Yellow Brown Lustre. 
BOWL BORDER IN HORSE CHESTNUTS— DORRIS D. MILLS 
