148 
KERAMIC STUDIO 
BORDER— IDA C, FAILING 
BANDS are gold. Paint roses with Old Rose or a thin 
wash of Blood Red, use the color a little heavier for the 
dark center. Outline with Blood Red and just a touch of 
Violet. Paint leaves with Moss Green and a little Grey For 
Flesh and outline then with Grey For Flesh and a little Shad- 
ing Green. 
DOGWOOD (Page 147) 
Treatment by Jessie M. Bard 
PAINT a very thin wash of Blood Red over the pink tips 
of the blossoms, Albert Yellow and a very little Brown 
Green for yellow tones, Violet and a little Yellow for the 
cool shadows and Brown Green and a little Yellow for the 
warm shadows. Leaves, Moss Green and a httle Dark Grey 
shaded with Brown Green. Stems, Brown Green and Yellow 
and a little Yellow Brown added in the shadows. Background 
2 parts Pearl Grey, 1 part Dark Grey and a little Yellow Brown 
Shadow blossoms in background are Violet and a little Copen- 
hagen Blue. 
BORDER— RUTH M. RUCK 
Treatment by Jessie M. Bard 
OIL the background, or if the design is used for a bowl, 
oil over the entire surface and dust with 3 parts Pearl 
Grey, 1 part Ivory glaze and a touch of Shading Green. 
Second Fire — Oil all parts of the design and dust with 
Water Green No. 2 and outline with Black. 
h 4'% l§ 
r \ ^ \ r 
BORDER— MARGARET LATHAM 
BORDER CLARA L. CONNOR 
JAR WITH TIGERS— KATHERINE W. LINDSEY (Treatment by Jessie M. Bard) 
OIL over entire surface and dust with 4 Ivory Glaze, 1 
Grey Yellow, 1 Yellow Brown. Second Fire — Oil 
dark in tigers and dust with 1 Yellow Brown, 1 Dark Brown, 
1 Dark Grey or Grey for Flesh. Oil all other dark tones in 
design and dust with i Yellow Brown, 1 part Dark Brown or 
Auburn Brown. Oil the large light tones and the dark gi-ey 
ground and dust with 2 Pearl Grey and 1 Yellow Brown. Oil 
the sky, foreground and small light tones and dust with the 
same coloring as for first fire. Oil the flowers and dust 
with 1 Yellow Red and 1 Yellow Brown. 
