KERAMIC STUDIO 
207 
FRUIT BOWL AND FRUIT PLATE (Page 209) 
Treatment by Jessie M. Bard. 
OIL the two light leaves and the stem that leads from it 
down between the berries, also the outer dark band, and 
dust with 2 parts Bright Green and 1 part Pearl-Grey. Clean 
edges carefully with an orange stick, then oil the dark leaves 
and the dark spaces around the smaller group of berries, and 
dust with 2 parts Water Green No 2 and 1 part Pearl-Grey. 
Clean all the work carefully and put in the remainder of the 
design except berries with Green-Gold. Outline the berries in 
Gold. 
Second Fire. Oil all border except over the gold and ber- 
ries and dust with Glaze for Green. Clean the color from the 
Gold and go over the Gold again. 
Lustre. 
Paint berries with Yellow 
BITTER SWEET STUDY (Page 208) 
Isabelle C. Kissinger 
BERRIES are Yellow-Brown and a little Yellow-Red, and a 
little Blood-Red and a touch of Violet for shadows. The 
center of berries that have burst open are Yellow-Red and a lit- 
tle Blood-Red for the lights. Small stems are Apple Green, 
Moss Green and a little Violet. Heavier stems are Brown- 
Green and a little Yellow for lights, shaded with Dark Brown 
and a little Violet. Leaves are equal parts Yellow and Yellow- 
Brown and a little Moss-Green, shaded with Brown-Green. 
PANEL, ADAPTED FROM THE JAPANESE— HENRIETTA BARCLAY PAIST 
OUTLINE the design with Grey for Flowers, water mixture. 
Tint the panel all over with Warm Grey and fire. Lay 
the branches with tones of Grey and the grasses with Grey 
Green the breast of the bird with a delicate wash of Lemon 
Yellow and the back, tail and wings with Grey. 
Flowers are touched with Old Pink on the under side and 
Yellow in the center. For third fire wash the trunks of tree 
with Yellow Brown or any Brown thin to warm them up. 
Strengthen the colors where necessary to produce the values 
as shoviTi, and model the flowers with enamel, white on the in- 
side, with dull yellow touches on the stamens and Old Pink on 
the under side. The enamel is not floated on flat, but modeled 
on, for relief here and there in a decorative way. 
