KERAMIC STUDIO 
OWL TOBACCO JAR (Page 14) 
Florence A. Huntington 
PAINT panels and design with Matt Brown, wiping out the 
path, and fire. Second fire, make panels at top of jar 
a deeper tone of same Brown, also the owl and leaves. Make 
the branch a still deeper tone and fill path and monogram with 
Roman gold. Third fire, outline design with black and go'over 
gold with gold luster. 
CUP AND SAUCER, PLATE AND PITCHER (Page 5) 
Albert W. Heckman 
FIRST fire, tint the whole piece a light green. Second fire, 
paint in all the flowers and buds with White Gold, Roman 
Gold centers. All the other parts of the design are in Green 
Gold. This design looks well carried out in Silver on Sedji 
ware. 
PLATE— M. C McCORMICK 
/^VUTLINE with Black. The dark space at edge of the 
^-^ plate, the lines back of flowers, the dots nearest the cen- 
ter of plate and the stamens in flowers are Roman Gold. 
Second Fire— Oil the grey bands and dust with Glaze for 
Green. Paint the large flowers with Rose and a little Blood 
Red, leaving them almost white at the center. Paint Apple 
Green and a little Yellow back of stamen. Leaves are painted 
with Apple Green, a little Yellow, Brown Green and a touch 
of Black and shaded with Apple Green, Shading Green, Brown 
Green and Black— add i Relief White to the colors for the 
leaves and flow the color on very thin. Small flowers are Deep 
Blue Green, a little Banding Blue and a touch of Black and | 
Relief White. 
