84 
KERAMIC STUDIO 
PLATES AND BORDERS (Page 83) 
E. L. McElhinny 
NO. 1 — Outline and darkest tones in Gold. Second Fire — 
Oil grey bands and dust with Glaze for Green and paint 
flowers with Yellow Lustre. 
No. 2 — Outline with Dark Grey and a little Banding Blue. 
Second Fire — Oil leaves and stems and dust with Floren- 
tine Green. Oil outer band and dust with 2 Pearl Grey, 1 
Ivory Glaze and a very little Apple Green. Oil flowers and 
dust with Glaze for Blue. 
No. 3 — Outline with Black. Dark background is Gold. 
The light grey border is Light Green Lustre and the flowers 
are Yellow Lustre. 
No. 4 — Outline with Black. Flowers are painted with 
Deep Blue Green and a little Sea Green. Leaves and stems 
and dark spaces in border are Shading Green, Banding Blue and 
Dark Grey. Border is 2 parts Dark Grey, 1 part Banding Blue. 
No. 5 — Outline and center of flowers with Dark Grey or 
Gold. Second Fire — Oil all darkest tone and dust with 1 part 
Bright Green, 2 parts Ivory Glaze. Oil lighter grey tone and 
dust with equal parts Glaze for Green and Ivory Glaze. Flow- 
ers are left white, paint the very slightest suggestion of color 
over them with Dark Grey or Albert Yellow. 
TEA SET (Supplement and pages 84-87) 
Leah H. Rodman 
OIL black spaces on tea pot and the corresponding spaces 
on rest of set and dust with Black and paint in the gold 
spaces. Silver may be used instead of Black. 
Second Fire — If the black is not a solid black it can either 
be dusted again or painted over with Black. Retouch the Gold 
SAUCER AND BREAD AND BUTTER PLATE— LEAH H. RODMAN 
