KERAMIC STUDIO 
139 
VASE (Page 144) 
Henrietta Barclay Paist 
THIS may be treated as monochrome in either Brown or 
Grey. If in Brown use Satsuma or Neutral Yellow 
for the body of vase and Finishing Brown and Neutral Yellow 
for the other values, mixing the two for the middle and 
lighter values and using the Finishing Brown pure or nearly 
so for the darkest values. Begin by tinting the entire vase 
with the Neutral Yellow or Satsuma and fire. Then trace on 
the design, oil all the spaces when the color is flat, the spaces 
for lighter values first, and dust with the powder colors which 
have been previously mixed and tested. The bodies alone 
of the birds are shaded. Follow the values as reproduced, 
using the two colors, and for the last fire outline the abstract 
design which supports the border and the birds, leaving the 
clouds without outline. If the grey scheme is preferred fol- 
low the treatment for chop plate in November issue for same 
motif. 
NINTH ANNUAL EXHIBITION OF ARTS AND CRAFTS 
THE Committee of Award of the National Arts Club 
announce that the Life Membership Prize in the Na- 
tional Arts Club has been awarded to Dorothea Warren 
O'Hara. 
The decision of the Committee is based not only upon 
the standard of Mrs.O'Hara's work as shown in the present 
and former Exhibitions of the Society, but upon a careful study 
of her work as a whole and of what she has accomplished in 
the development of her particular craft, Keramics 
WATER PITCHER, IRIS MOTIF— LEAH H. RODMAN 
Black part of design, Aztec Blue, with one-third Azure Glaze. Grey part of design, Banding Blue, bit of Black, one-third 
Azure Glaze. Light part of design Azure Glaze. Bands and dots Black. 
