160 
KERAMIC STUDIO 
While none of my five schemes included any china dec- 
orated in overglaze, it was not because I did not wish it but 
because I was not able to plan out what I wanted and have 
the work done in time, and was thus obliged to use wares ready 
at hand. For the choicest table decoration, (illus. No. 6) 
it was a bitter disappointment not to be able to have the white 
plates enriched with some ornamentation in colored enamel. 
The plans I am now making for further creations in 
table decoration are to include china in overglaze decoration. 
My fingers fairly itch to get at it. 
For years I have had little desire to do any work on por- 
celain, but the new work in enamels being done at the present 
time has greatly interested me, and through my study of table 
decoration I feel greatly stimulated and enthused over the 
possibility of utilising overglaze keramics as a part of my new 
work. 
I used to feel that overglaze keramics was a restricted 
field, and I was unhappy in it, as I could not then see its re- 
lation to other things. Continued activity in other fields 
has brought a larger viewpoint, and it is a joy indeed to find 
myself actually enthused over new possibilities in the work 
which for years I had almost forgotten. 
T 
box. 
LITTLE THINGS TO MAKE (Page J61) 
M. A. Yeich 
HE chicory is here applied to a brush and comb tray, 
puff box, hair receiver, pin tray and hair pin or match 
Chicory is found in three colors, blue, pink or white. 
Paint the lines black and develop the design in several 
tones of blue, leaving white paths. 
For another treatment, use Celestial Blue or Peach Blos- 
som for the flowers, Grey Green for leaves, stems, and centers 
of flowers, and Ivory or Pearl Grey for ground. Dot the 
flower centers with Dark Green. 
*• «r 
EXHIBITION NOTES 
The Keramic Society of Greater New York intends to 
have its annual exhibition this year in the American Museum 
of Natural History, where Prof. Cornell and Mr. Marshal 
Fry have this winter been giving courses in decoration. The 
exhibition will open on April 5th with private view and re- 
ception and will remain open to the public from April 6 to 
April 19 inclusively. 
BOWL— DOROTHEA WARREN O'HARA 
THE shape of this bowl was designed by Dorothea Warren? 
O'Hara, also the decoration. Enamels used are extra! 
hard and should be applied in low relief and fired a little harder! 
than the soft or regular hard enamels, which are usually used. 
centers. The green used for leaves, stems and bands, made 
by mixing equal parts Apple Green Enamel and f Moss *Green 
Enamel. For violet dots around flowers and through^leaves, 
use dark Violet Enamel. ... Mix with Warren's Enamel Medium, 
on Belleek. Red enamel for flowers with white enamel for L ^grind until very smooth and apply with china liner No. 2. 
