ftERAMIC STUDIO SUPPLEMENT 
> .( 
Paint the flowers daintily with a violet made by mixing Deep 
Blue Green and a little Violet of Gold, shade with the same. 
The centers are painted with Albert Yellow, a very little Yel- 
low Brown and a tiny touch of Capucine Red and Grass Green. 
The leaves are made by mixing Grass Green and Deep Blue 
Green for the cold green with Brown Green and Dark Green 
for the darker leaves. Add a touch or two of Yellow Brown 
on some of the dried leaves and a little Violet of Gold on the 
delicate stems which join the flowers to the main stalk. The 
background has soft pale washes of Albert Yellow in upper 
left hand corner shading below into a lavender blue and finally 
into indistinct stems and lines in the lower part of panel of a 
grayish blue, for which combine Deep Blue Green, Violet of 
Gold and a little Brunswick Black. Directly behind the 
grassy-like leaves there are washes in the center of the panel 
of Albert Yellow and Yellow Brown with grayish shadows 
cast below each blossom and leaf. The painting must be very 
delicate as this dainty wind flower is very airy and frail looking 
as it blows in the wind on the shores of Wisconsin lakes. 
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ALPINE HAREBELL— EDITH ALMA ROSS 
MINERAL colors, Violet of Gold, Deep Blue Green, Albert 
Yellow, Capucine Red, Yellow Brown, Warm Grey, 
Grass Green, Brown Green, Dark Green, Brunswick Black. 
PLATYCODON GRANDIFLORUM (Page 2) 
Lillian Baker Sturgess 
PAINT the flowers with Banding Blue, Baby Blue mixed 
with very little Copenhagen Blue. Use Silver Yellow 
for centers grayed slightly with Violet. Paint the leaves and 
stems Grey Green. For the background use Pearl Grey with 
a little Copenhagen Blue. Second Fire — Strengthen the leaves. 
Outline and put dark shadows in the flowers with Copen- 
hagen Blue. 
HI.ANT-ANAI.Y.U'l-U.ny.lTTy 
PLANT ANALYSIS, GLOXINIA— MARY L. BERRY 
