ROVAMIC STUDIO SUPPLEMENT 
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larger spaces, Light Gray tint in background. A circle band 
around of darker gray than background or green (dark) may 
be effective. 
Circle to right — Two shades of green for leaves and stems. 
One shade for one side of leaf with darker shade for the other 
side. Make circle band of green, just a shading touch of Grey 
for Flowers, black outline. This makes a very clean subject 
for a green and white decoration. These designs give oppor- 
tunity to work out any color combination desired. 
*• 1? 
MARGUERITE STUDIES— IDA UPTON PAINE 
FLOWERS are white shaded with a little Lemon Yellow 
and a touch of Violet. Centers are Albert Yellow and 
Yellow Brown. Leaves are Apple Green, a little Albert Yel- 
low, Shading Green and Dark Green. Stems are Apple Green, 
Albert Yellow and a little Dark Grey. 
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DANDELION STUDIES (Pages 6-7) 
Ruth Mildred Ruck 
COLOR treatment: natural colors for sheet of natural 
drawings. For conventional drawings — In painting 
tall panel use very light tint of Violet for background, Yellow 
for flowers, green leaves with lighter green for stems, Yellow 
with a little Gray mixed for small panels or spaces, same for 
band around panel. This may be carried out with or without 
black outline. The four square block designs may have com- 
binations of Yellow and Gray, Yellow and Brown, Burnt Or- 
ange and Dark Blue. Bands connecting squares may be the 
Brown Gray or Blue. Black outline on all if a firm band is 
desired. Without black outline if soft effect is needed. 
Oval medallion at left may have light blue background 
with dark blue in center sections and at each end, with yellow 
for remaining sections representing petals of the flower. 
Oval to right has yellow petals with small leaf forms along- 
side and stem forms below of brown, background light tint of 
pinkish brown. These two panels show well with black out- 
line. 
Circle designs — To left center section Yellow, outer sec- 
tions Burnt Orange for smaller sections and Dark Blue for 
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BORDERS WITH MARGUERITE MOTIF 
Ida Upton Paine 
NO. 1 — Outline and bands in Gold. Second Fire — Paint a 
delicate tint of Dark Grey and Yellow Brown over all 
the background. 
No. 2 — Outline with Dark Grey and Copenhagen Blue. 
Oil petals of flowers and dust with Glaze for Blue. The cen- 
ters are oiled and dusted with 1 Coffee Brown and 1 Ivory 
Glaze. Bands are dusted with 1 part Grey Blue and 1 part 
Ivory Glaze. Background is painted with Dark Grey and a 
little Yellow. 
No. 3 — Outline and bands in Gold. Background is 
painted with a thin wash of Apple Green, Albert Yellow and a 
little Dark Grey. Light part of figure is Albert Yellow and 
a little Dark Grey and the darker tone is Yellow Brown and a 
little Dark Brown. 
No. 4 — Outline with Black. Edge of petals are 1 part 
Warmest Pink and 1 part Special White Enamel shaded toward 
center with Warmest Pink Enamel. Centers 1 part Jasmine, 
