KERAMIC STUDIO SUPPLEMENT 
SYRACUSE, NEW YORK, JANUARY 1916 
DESIGN FOR PLATTER (Supplement) 
F. R. Weisskopf 
CAREFULLY outline entire design in India ink. Tint 
entire surface with Silver Yellow keeping tone as heavy 
and even as possible. Carefully clean out flowers, bands and 
leaves keeping outlines sharp. Paint in bands and leaves 
and stems in Brown Green. The calyx of the flower is Orange 
and the flowers themselves are left white. 
ROSES (Supplement) 
Jeanne M. Stewart 
PALETTE Roses: Rose, Ruby Purple, Lemon Yellow, 
Egg Yellow, Yellow Brown, Grey and Wood Brown. 
Leaves, Lemon Yellow, Yellow Green, Brown Green, Shading 
Green and Grey. Background Ivory Yellow, Grey, Yellow 
Brown and Turquoise Green. Rose is used in very thin washes 
in lighter tones in flowers and 2 parts Rose and 1 part Ruby 
Purple in darker tones with strong accents of Ruby Purple. 
A mixture of Grey, Ivory Yellow and Rose makes the shadows 
on flowers, edges of which are padded into background and 
high lights wiped out. 
CUP AND SAUCER (Page 8) 
E. L. Miller. 
OUTLINE blossoms with a fine outline of Dark Grey; blos- 
soms on left, white. Stamens are Albert Yellow and a 
little Yellow Brown. Leaves are Apple Green, a little Albert 
Yellow and Yellow Green. Buds are a thin wash of Albert 
Yellow. Shadows are Violet and a little Yellow Brown. Wide 
grey band is Apple Green and a little Violet. Dark bands and 
the fine lines are Gold. In the second fire put a very thin wash 
of Lemon Yellow over the blossoms, just enough to take the 
hard white effect from them. 
BISCUIT JAR— IDA UPTON PAINE 
LAY in daisies with Copenhagen Grey, centers with Albert 
Yellow and Chestnut Brown. Outline conventional 
design Copenhagen Grey with one-third Copenhagen Blue 
added, then fire. Second Fire — Tint entire jar with Copen- 
hagen Grey, after touching up daisies. 
Third Fire — Deepen centers of daisies with Chestnut 
Brown. Finish stems with Moss Green and Shading Green. 
Wash conventional bands with Copenhagen Grey. 
