NATURALISTIC SECTION OF IlERAMIC STUDIO 
WILD COLUMBINE 
M. H. Watkeys 
OUTLINE with Black. Outside petals are Rose for the 
lightest tone and a very little Ruby added for the shad- 
ing. Wash the very faintest suggestion of Lemon Yellow or 
Yellow for Painting over the stamen and the dark petal just 
above the stamen is Albert Yellow. Stems and lightest leaves 
are Apple Green and a very little Yellow Green and for the 
dark leaves add Shading Green and Brown Green. Back- 
ground is a thin wash of Dark Grey and a little Yellow Brown 
MOUNTAIN LAUREL (Page 3) 
M. H. Watkeys 
OUTLINE with Black. Dark leaves are oiled and dusted 
with 3 parts Water Green No. 2 and \ part Bright Green. 
Light leaves are oiled and dusted with 2 parts Florentine 
Green and 1 Grey Blue. Stems are oiled and dusted with 
Mode. Dark blossoms are oiled and dusted with equal parts 
of Cameo and Peach Blossom and the light blossoms are Cameo. 
Background is oiled and dusted with 2 parts Ivory Glaze, 1 
Pearl Grey, \ part Yellow for Dusting. 
BOUNCING BET (Page 4) 
M. A. Yeich 
PAINT flowers with a very thin wash of Rose (the color 
should be almost white), shade with a little Violet added 
to the Rose, wipe the color out for the stamens and add Yellow 
Brown and a little Dark Grey for the tips. The light ends of 
buds are of the Pink. Stem, leaves, calyx and all dark tones 
are Apple Green, Yellow Green and Brown Green for the 
jight tone, Shading Green, a little Yellow Green, Brown Green 
and Dark Grey for the shading. Background is Pearl Grey 
and a little Deep Blue Green. 
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CONVENTIONALIZATION OF BOUNCING BET (Page 5) 
M. A. Yeich 
BORDER No. 1. Outline and dark spaces are Green Gold. 
Flowers are oiled and dusted with Yellow for Dusting 
and the stems with Florentine Green. 
No. 2. Oil all dark tones except calyx and dust with 
Florentine Green. Oil calyx and dust with Mode and a little 
Grey. Outline flowers with Dark Grey and a little Mode. 
Second Fire — Oil flowers and dust with Cameo and the 
tips of leaves with Glaze for Green and a little Yellow. 
No. 3. Oil flower and dust with Cameo. Oil the small 
space above flower and dust with Glaze for Green. Stems 
and dark space leading into it are Green Gold. 
Nos. 4-5. Oil all the dark part of design and dust with 
Florentine Green and a little Coffee Brown. Outline flower 
with Dark Grey and Albert Yellow. 
Second Fire — Oil light part of leaves and dust with Glaze 
for Green and a little Albert Yellow. Oil flower and dust 
with Yellow for Dusting. 
WILD CLEMATIS (Page 6) 
M. H. Watkeys 
OUTLINE and stamen are Black. Center of flower is 
Lemon Yellow or Yellow for Painting. The small 
stems are Blood Red and Violet very light at the tips with more 
Blood Red added for the darkest tone. The long heavy stem 
is Apple Green with Shading Green and Brown Green added 
for the shading. Light leaves are Apple Green and a little 
Dark Grey with Shading Green and a little Black added for 
the dark leaves. Background is Copenhagen Blue and Band- 
ing Blue for the darker tone and Deep Blue Green for the 
lightest. 
CUP AND SAUCER, SHAKER AND CREAMER 
Orange and Green Color Study 
Albert W. Heckman 
THE designs for cup, saucer, shaker and creamer were made 
to be carried out with enamels on Belleek ware, but 
they may also be done with good effect on Sedji, French and 
German china. Following are the treatments. 
For Belleek ware.— Use orange enamel for orange parts 
of the design. Some dark yellow enamels approach this orange 
in color and may be used. Use light yellow enamel for lighter 
shade of orange in ornament on the pitcher. It is advisable 
to make a few preliminary tests to match the green. Take 
two parts Grey Green number one and one part Dark Green. 
If this fires out too cold add one-half part light Yellow. 
For Sedji ware.— Execute all the green parts of the de- 
sign in Canton Blue. In place of the light yellow in the de- 
sign use pure Emerald Green and instead of the orange use 
bright blue enamel. 
For French and German china.— First tint the whole piece 
with Trenton Ivory and fire. The design may be carried out 
in the extra hard enamels which are now on the market, Moss 
Green, Yellow No. 1 and Yellow No. 2, or Green Gold may 
be used in place of the Moss Green enamel. If gold is used 
outline the orange dots with it. 
