62 
KERAMIC STUDIO 
BOWL, WILD AZALEA 
"p\ESIGN in gold, outlined with Black, using a fine brush. 
-L' (The Fry Art Co. have brushes which are especially 
adapted to this purpose.) Upper background space in Yellow 
Brown lustre; lower spaces in Black, or flower in Yellow 
Red (keep tone delicate); leaves, German Yellow Green; 
background, Meissen Brown, dry dust with Pearl Grey. 
ABSTRACT BORDER FOR BOWL 
T> ASE of bowl in Meissen Brown, dust with Pearl Grey. 
-L* Design in New Green. Small portion of design in 
Yellow Red. 
SUGAR BOWL, TRUMPET FLOWER 
Tj^OR flowers use Yellow Red, and for leaves, New Green 
-T and Pearl Grey; background of Meissen Brown in 
tinting oil, dust with Ivory glaze. 
CUP AND SAUCER, ROSES 
BOWL, BLACK-EYED SUSAN 
FIRST firing — Leaves, one part Grey for Flesh, one 
part New Green. Outline with Grey for Flesh. 
Second firing — Leaves, one part New Green, one part 
Brown Green. Dry dust with New Green. Use medium 
and clove oil. 
Flowers, Yellow Brown and Lemon Yellow. Black 
portion, Brunswick Black, or for a more brilliant effect, 
Black lustre, Light and Dark Green lustre and Yellow and 
Orange. 
For table service, make design of silver or gold. 
CUP AND SAUCER, ROSES 
FIRST firing — Roses in Violet No. i and No. 2. Leaves, 
two-thirds Brown Green and one-third Royal Green. 
Second firing — Cover entire design with tinting oil to 
which a small quantity of Brown Green has been added 
and after twenty-four hours dust with Pearl Grey. Keep 
this color very delicate. 
Third firing — Retouch roses with Violet No. 1 and 
No. 2 to which a touch of Blood Red has been added. 
Stems and leaves are to be deepened with color used 
in first firing. 
