2I 4 
liERAMIC STUDIO 
TERRAPIN 
S. E. Price 
T>AINT the dark part of the design with one part Copen- 
A hagen Blue, one-half part Sea Green, three parts 
Copenhagen Grey. Fire. Tint border with Neutral Grey 
and fire. Tint the whole surface with Pearl Grey and fire. 
DARK BLUE TREATMENT. 
Paint design with Banding Blue and dust with Royal 
Blue. Fire. Tint border with equal parts of Copenha- 
gen Blue and Banding Blue and fire. Ground lay whole 
surface with Grey Blue Glaze and fire lightly. 
CIDER PITCHER (Page 217) 
Ophelia Foley. 
Darkest tone should be Black, body of vase, Dark 
Olive Brown, background of border, Dull Ochre, apples, 
dull Ochre with a tinge of Pompadour, darker on one side. 
Leaves, a dull Olive Green. 
PLATE— GEORGIA PARR BABBITT 
DRAW one portion of plate design carefully and trace 
remainder, going over all carefully in India ink. Tint 
border a good blue, not a weak suggestion of a color, using 
two-thirds Light Green, one- third Deep Blue Green. Clean 
out. design; then either outline design all in Black, or all 
in gold ; or, Swastika and line portions in Black, remainder 
in gold. 
When perfectly dry, fill in Swastika and connect- 
ing lines with Liquid Bright Silver, forget-me-nots in Blue, 
deeper at edges, roses in Pink, turnover portions and edges 
deeper, leaves Apple and Moss Green. Fire hard. For 
second fire strengthen any weak lines or imperfect silver, 
put gold in center of forget-me-nots and dotted shading 
in roses and give a medium fire. 
