KERAMIC STUDIO 
79 
or with beads of coral, amber, lapiz, or other stones. Heavy 
embroidery silk is used for the tassel in combination wiih 
these. A stunning one was made up of blue and violet and 
silver molds. This strung on heavy black silk and finished 
with a tassel of the black mixed with violet and blue. This 
particular one was designed to hang from the corners of a 
curtain valance. 
I have described these things in the hope that some of 
our readers may want to experiment. In one of the recent 
exhibitions a very handsome tassel, all of soft pastel colorings, 
was attached to the handle of a serving tray. 
Another feature of the cloth in the illustration is the plac- 
ing of the little block printed border design just above the 
applique. The small napkins treated in this way were lovely. 
This set was designed and executed by Miss Ethel Wing 
of the Newark Keramic Society. 
Here is hoping that the season to come may be one full 
of progress and real artistic growth for us all. 
KATHRYN E. CHERRY - 
Marina Building, St. Louis, Mo. 
Page Editor 
POWDER BOX 
IF Satsuma box, all of the black lines, black bands, hat, are 
done in Azure Blue enamel. The flowers are Jersey Cream, 
The face and wide band is Grey Violet, buds Wistaria, scarf 
is Silver Grey, leaves Aquamarine. 
If box is china (French), oil and dust bands in Dark Blue 
for Dusting also the outlining around flowers, the hat, dress, 
and lines, fire. 
Second Fire — Dust face and wide band with Pearl Grey. 
The flowers with Glaze for Green. The scarf with Glaze for 
Blue. 
Third Fire — Oil the entire box, pad very dry, dust with 
1 Ivory Glaze and 1 Glaze for Blue. 
POWDER BOX— KATHRYN E. CHERRY 
