158 
KERAMIC STUDIO 
are using so much at present; these pieces illustrate so 
beautifully the charm of lustre when treated with restraint 
and in! the right combinations. Their type of design also 
seems* thoroughly adapted to the medium, always strong in its 
light and dark and direct in its treatment. 
These few suggestions to the student of our beautiful 
ceramic craft, I hope will be taken seriously, as a conscientious 
effort in this direction cannot fail to be a great source of inspi- 
ration and pleasure, and bear a good influence upon our work, 
the idea being not merely to reproduce these fine old decora- 
tions, but to gather from such study an understanding of that 
which is fine and truly decorative in ceramics. 
PLATE— ADELINE MORE* 
OIL all dark bands, stems of berries and dust with Dark 
Blue for Dusting. Oil the widest grey band and dust 
with Glaze for Green and the outer grey band with Glaze for 
Blue. Paint light part of berries with Deep Blue Green and 
the darker side with Banding Blue and a little Violet No. 2 
with touches of Deep Purple for the darkest spots. Leaves 
are -Yellow Green and a little Shading Green. Brown Green 
and a little Albert Yelkw for the lightest ones. Caps of 
berries are Dark Brown and a little Yellow Brown. 
