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KERAMIC STUDIO 
PLATE (February Color Study) 
May B. Hoelscher 
lTMRST Firing — Outline everything except large flowers in 
*- - black. Outline large flowers in gold. Lay all geomet- 
rical figures in gold except drop design which is in Delft blue. 
The center of this design is in gold. Background of border 
Yellow Brown and Brown Green, equal parts. Center of plate 
the same only padded very light. 
Second Fire— Three large flowers are first Delft Blue, shaded 
in three tones, The outer one is the darkest. Second Yellow 
Brown and the third Old Rose. "Brown 4 and Deep Purple." 
Leaves, Apple Green, touch of Deep Purple and Black. Small 
flowers group; center flower Delft Blue with gold center, small 
flowers, one on either side, Old Rose. Center gold. Mix the 
colors for flowers and leaves with enamels and test, then lay, 
in flat enamel. Lay all gold twice. 
ART NOTE 
In the January number of the "Century" Magazine are 
examples of American Craftsmanship photographed by Hazel 
H. Adler. Out of ten groups five are examples of keramic art. 
Mrs. Adelaide Alsop Robineau is represented by a group of 
her beautiful incised porcelains. Leon Volkmar and Jeanne 
Durant Rice have collaborated on a beautiful dinner set of 
white majolica. There is a group of interesting pottery from 
the Newcomb College, New Orleans and two breakfast sets 
in overglaze decoration by artists familiar to Keramic Studio 
readers, Anna Southern Tardy of Birmingham, Ala., and Mrs. 
Sarah A. Draegert of Brooklyn, N. Y. The other five groups 
are examples of wood carving, designing and weaving and 
metal work. 
SALAD BOWL AND PLATE— M. LOUISE ARNOLD 
Black, Black; grey, Green; white, Gold; or Black and Silver on Celadon Ware. 
