RERAMIC STUDIO 
at the top olive green with purple lake, add a little indigo and 
burnt sienna in the deepest tones. 
For the tender green leaves use emerald green with lemon 
yellow, but as a rule, keep the leaves simple and flat and 
rather more gray than green. The addition of a little purple 
lake, or sometimes carmine, will tone down the brilliancy and 
crudeness of green. In this design pink (La France) roses 
would make a pretty substitute for the white ones. 
Harmony is progressive construction. It is constructing 
by proper progressive stages, and there are two kinds of har- 
mony, the harmony of contrast which we note in the dress of 
the Oriental woman of coppery skin, and blue and green and 
yellow in her raiment, and the harmony of analogy, which 
means the harmony of related parts, colors blending inco 
shades and hues and tints as clouds blend as the sunset forms 
its colorings. 
The harmony of analogy can be very easily undertaken. 
It is a blending of the reds, and from the reds to the oranges, 
and from the oranges to the yellows, and so on ; from blacks 
to the grays and from the grays on to subtle hues. It is 
toning. 
FIRST PRIZE, HISTORIC ORNAMENT— OYSTER BOWL AND PLATE— MRS. DANTE C BABBITT 
OUTLINE entire design finely with paste. Make dark part 
green bronze, scrolls green gold, and bands plain gold, 
and gold handles on the bowl. Either leave the center of 
plate and lower part of bowl plain or tint a delicate green, 
for which use apple green. Finish inside of bowl with a plain 
gold line the same distance from the top as the first line on 
the outer part. Or the design may be outlined in paste, dark 
part gold, scrolls Empire green, excepting the central figure 
or part of scroll which should be plain china, also the two 
bands may be plain. 
