3o 
KERAMIC STUDIO 
FOUNTAIN FOR THE MANUFACTURES ANDXIBERAL ARTS BUILDING, 
PAN-AMERICAN EXPOSITION, DESIGNED BY^LOUIS C. TIFFANY. 
THE TIFFANY GLASS AT THE PAN AMERICAN 
O judge from the glass displayed at the Tiffany 
Studios previous to its departure for the 
Buffalo exhibition, we are of the opinion 
that the pieces are even more beautiful than 
those exhibited at Paris, and, of course, the 
number is greater. The newest artistic 
creations in mosaics have appeared since the Paris Exhibition 
and they are, in the form of panels, a wonderful combination 
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OIL LAMP WITH METAL BASE AND FAVRILE GLASS SHADE. 
of iridescent glass, and glass in flat tones, which gives a most 
interesting and artistic effect. For instance, a panel in fruit, 
the foliage being iridescent tones of green and yellow, and 
the oranges in flat colors. Then another panel with two doves 
in the dull effect with the foliage iridescent. We can imagine 
the delightful effects when these gems have the appropriate 
setting. 
The Glass Fountain, of which, as yet, only very indiffer- 
ent photographs have been taken, attracted crowds of people. 
It was shown in a dark room where the play of lights under- 
neath revealed the richness and harmony of its colors, princi- 
ELECTRIC FLOWER CLUSTER LAMP WITH FAVRILE GLASS SHADES. 
pally blues and greens, the effect being more of a cascade. It 
is just as indescribable as any one small bit of the Favrile 
glass, just as beautiful and just as elusive. 
In the smaller pieces, the vases and jars, there seems to 
be the suggestion of applied gold, bringing out more forcibly 
the design which the color has assumed ; but upon the author- 
ity of Mr. Belknap we would like to state to the doubting 
ones that this is positively and 'absolutely denied. In their 
WINDOW IN FAVRILE GLASS— '* THE FOUR SEASONS "—DESIGNED 
BY LOUIS C. TIFFANY. 
