KERAMIC STUDIO 
S9 
For second fire or third, touch up with about same colors. 
For ground use Yellow Brown and Egg Yellow, Yellow Green 
and Brown Red for darker parts. 
To use the black and white sketch for china, paint the big 
bunch to the right red and brownish, breaking in some Banding 
Blue and Black in the darkest parts, but the bunch to the left 
paint light green, using Air Blue for high light, Lemon Yellow 
and Yellow Green for general tones. Shading green for 
second fire to touch up. 
WATER COLORS 
When the group is sketched carefully, wash in the back- 
ground with Naples Yellow. Indigo with a little of Rose 
Madder mixed, for the grayish tones. For bunch in the 
centre to the left, use Cobalt Blue for high lights, Light Red, 
Burnt Sienna and Carmine for the reds, for the greenish tones 
blend in some Chrome Yellow and Hooker's Green, and 
Brown Madder for darker parts. For bunch on left side, use 
Chrome Yellow and Rose Madder, and a little Cobalt Blue. 
The blue bunch wash in with Ultramarine Blue, Crimson 
Lake and Black. The green leaves paint in with Viridian, 
Chrome Yellow and Hooker's Green. For darkest shades use 
Brown Madder, Burnt Sienna, Sepia Brown. For ground 
work use Yellow, Raw Sienna, and a little Hooker's Green in 
some parts. 
MUSHROOM DESIGN ( No. 2 ) — S. E VANNAH PRICE. 
PROCEED as with design No. I (see June number) with Brown and the very darkest Brown Green. The stems and 
background and ferns, the same colors being used. For ring on the large one are Lemon Yellow shaded with Violet 
the mushrooms, use for the caps, Lemon Yellow shaded with No. 2 and Lemon Yellow mixed. The volva at the base is 
Yellow Red, the gills Lemon Yellow with markings of Yellow whitish (Silver Grey). 
