KERAMIC STUDIO 
8j 
POTTERY BY DELAHERCHE 
dull pink or peach blow at the top, with bands admirably 
proportioned and incised with a simple design upon which 
the color has developed into a deeper tone; below that is a 
broad band showing a dull green and green grey blue, with 
the rose color flowing into it here and there, then another 
band of rose, still a deeper tone, then a wide band of dull 
blue, the colors all deepening towards the base, but the body 
of the vase is in the most superb tone of ruby imaginable, 
one section of which has developed into a tone almost black; 
the whole is very unusual in color and treatment and again 
shows the wonderful control this man has of his colors, glazes 
and fire. 
The Royal Berlin factory has sent samples of underglaze 
but these colors are on a porcelain body. Reds and blues 
predominate, but they have no individual touch, and are not 
otherwise attractive except in beauty of form. 
Doat, from the Sevres factory, has some fine things in 
greys, but the body is also porcelain. The greys and dull 
greens are the same as were seen at the Sevres exhibit in Paris. 
With this collection of fine pottery there are a few inter- 
esting bits of peasant work and a remarkable collection of 
work done by Thomas Inglis, an American, not known and 
now a man between eighty and ninety years of age. He 
made these artistic bits for his own amusement and delight 
and would never sell any of them. Then there being a 
necessity for it, his son brought the collection to Mr. Tiffany, 
to whom he sold it, Mr. Tiffany considering it quite a remark- 
able discovery. There is some attempt at modeling and the 
motif is well carried out. Some of the vases have a little top 
fitting on of carved ivory. His work seems to be made with- 
out wheeling and it certainly is stamped with a human touch. 
He shows a wide range both in form and color, and there are 
two tiles quite original with suggestive landscapes in a very 
low key, one of which would certainly delight the followers of 
Mr. Arthur Dow. The purchaser of this will have a joy for- 
ever. There seems something wonderfully pathetic in the 
story of this old man, whose work at this late day has so 
Msuddenly come to light. 
FRUIT SAUCER 
Adelaide Alsop-Robineau 
THIS design can be~carried out 
in gold outlined in black or 
red brown or in flat enamels. 
For flat enamel treatment use a 
blue made of aufsetzweis with y& 
flux colored with banding blue 
and black. Use sufficient color 
to obtain a medium grey blue, 
remembering always that the 
aufsetzweis fires darker. Use 
this on the two outer bands and 
the inner band, also on occasional 
leaves. For the remaining leaves 
use the aufsetzweis colored with 
royal green, banding blue and 
black to give a cool grey green 
effect. For stems use brown 4 or 
17, not too dark, and for the 
cherries use carmine with yi 
aufsetzweis and ruby purple to 
make two tones. Put enamels on 
thin and let them flow with a 
shading effect in the bands as 
well as in the rest of design. If 
desired the design can be outlined 
in dark blue, dark green, with 
ruby purple for cherries. Do not 
make cherries very dark. 
