KERAMIC STUDIO 
12} 
No. 1. Designed by Mrs. Alice Ross Hadley 
brown and a more neutral brown, a cream ground could still 
be used for the lighter panels if desired, or a faint dull pink 
made from red and brown. 
We give also a graceful vase design by Miss Margaret 
Overbeck, which has been slightly changed from the original, 
which had a dark panel about the flower. A simple tone all over 
takes less from the unity of the whole vase effect. This vase 
would look well in lustres on a black ground or in pale Copen- 
hagen tints of dull violet red, green, and grey. The tea caddy 
design is intended for this sort of treatment. It is adapted from 
a French design for a PocJioir. The white china should be used 
in the background. The Poppies made of gold grey or warm 
grey. The stems should be a grey green, like celadon or a 
mixture of silver grey and green. The leaves, seed pods and 
buds a shade darker. A tinting of grey can be used in dotted 
portions. This design might also be carried out in gold and 
bronze outlined with black, brown or red. 
Designed by Margaret Overbeck, 
DePattw University, Greencastle, Ind. 
