RERAMIC STUDIO 
the market place to sell them and have them weighed ; 
Jaandam, where there are many windmills, of every shape: it 
is called the forest of windmills, and Katnyk, a fishing village 
near Leyden, very much like Scheveningen, only more quiet. 
Here in September you have ample opportunity to study the 
people : when the fishing boats come in the women all come to 
the beach with their baskets. There are many beautiful canal 
trips all through Holland, the most beautiful to me is the one 
from Delft to Rotterdam. Holland is also a fine place for 
trips on your wheel, or as they call them, feitsryders. I found 
many of the country people interested in art; they fill the 
galleries studying the old masters, and, strange to say, knew 
what you were drawing and could criticize intelligently. I 
once thought I really knew how to draw, when a woman recog- 
nized herself from a few blue lines ; I had on my paper just 
outlined a woman kneeling on a board, washing in the river. 
As I mentioned before, the children pester you to death, 
throw stones at you, upset your water and paint box if the)? 
can. I have tried talking to them and keeping still, both with 
the same result. But with all its drawbacks Holland is charm- 
ing to be in and to paint in. I think sketching is like a game 
of solitaire; you always want to try just once more, sure you 
will get it the next time. 
TREATMENT FOR ROSES (Supplement). 
E. Louise Jenkins. 
FOR the greys in the white roses, use Gray for flowers, with 
a touch of Lemon Yellow and Black. The centres are of 
Lemon Yellow retouched with Egg Yellow, Yellow Ochre 
and a very little Brown Red. 
For yellow roses, use Lemon Yellow, and retouch with Egg 
Yellow, Yellow Ochre, Brown Green and Brown Red. The red 
roses are painted with Pompadour and powdered with Ruby 
and Black in the shadows for the first fire. Retouch with 
Roman Purple, and Roman Purple and Black in darkest parts. 
Use Copenhagen Gray and Rose for the pinkish grays in back- 
ground, and Copenhagen Gray with Russian Green and Apple 
Green for the bluer tones. Shade these into Lemon Yellow 
toned with Yellow Ochre, into warm browns, Brown Green 
and Dark Brown. 
The leaves are of Moss Green and Apple Green, varied 
in tone with Russian Green, Brown Green and Dark Green. 
It is well to lay in the background first, in order that the 
edges may be soft, and that each color may partake of that 
which lies next to it. 
TOBACCO JAR— 
C. BABCOCK 
CARRY out the figures of the Indians in greys, blues or browns. The trees should be in black, dark blue or dark 
browns. The trees might be brown with the light tones of cones, etc., in gold, also gold outline, or make the whole 
design of trees bronze and gold with black outlines. This can also be carried out in lustres. Same color scheme for figures, 
black lustre on trees, purple on cones and needles first fire, dark green afterward, outlines black paint. 
