KXRAMIC STUDIO 
2 K 
class. For the latter it is hoped a sufficient number of scholarships may 
he securer!. 
Gold Medal. — For the best original design applied to a vase — No. 
405 Ceramic Art Go. See illustration page 255. 
The following points are to be considered: 1 — Design; 2 — Suitability 
and adaptation of the design to the chosen form; 3 — Drawing; 4 — Color 
scheme; 5 — The technical execution. The decoration may be conven- 
tional, realistic or figures. 
Silver Medal. — For the best portrait head. 
The points to be considered are: 1 — Drawing; 2 — Color; 3 — The 
technical execution. 
Bronze Medal. — For tableware. 
Plates for any course. One plate or the entire set may be sent. Plates 
must he plain, with rim. The points to be considered are : 1 — Design ; 
2 — Adaptation; 3 — Drawing; 4— Color Scheme; 5— Technical execution. 
Each point scores ten. The person receiving the highest total is en- 
titled to the reward. 
Example. — The highest possible score for a portrait is 30 points. A 
competitor may receive for drawing 5, color 8, technical execution 6, 
making a total of 19, and he thereby learns his weakest and strongest points. 
Pieces conforming to the requirements may be sent for exhibition 
only, by being plainly marked ''Not in competition." 
The League in order to make this exhibition of educational value, has 
decided that it should be sent to each club that is willing to pay $10.00 
into the League's treasury, and assume the packing and shipping to the 
next place, of exhibition. The League will pay all transportation expenses. 
Judges. — Each club shall choose three judges from outside their 
membership, who shall pass upon the work, their decisions remaining 
sealed until the circuit has been completed. These sealed letters are to 
be sent to the Corresponding Secretary, and at the close of the exhibition, 
to be opened at the Advisory Board meeting, and the awards announced. 
The ultimate judgment will be a composite one, or a consensus of the 
opinions of all the judges. All competitors will receive from the Corres- 
ponding Secretary, their score, which may be considered as a valuable 
criticism, and one of the chief benefits of this comparative exhibition. 
Marking. — As the identity of the artist will be a matter of great in- 
terest to the League members, and of no weight with the judges, who are 
outside of the clubs, each piece must be plainly marked on the bottom, 
with the name and address of the artist and of the club to which the artist 
belongs. If for sale, state price. Articles sold will be subject to delivery 
after the League clubs have had an opportunity to see the exliibitii >n intact. 
All articles must be sent to M. T. "Wynne, 11 East 20th street, New 
York and be in New York by May 5th, 1902. 
The League will pay express charges on all articles sent for this com- 
petitive exhibition and will prepay charges in returning them. 
Myra Boyd, Ida A. Johnson, 
Corresponding Secretary, Chairman Educational Committee, 
Penn and Murtland Aves., Pittsburg. 193 St. James Place, Brooklyn. 
PLATE DESIGN— ANNA B. LEONARD 
THIS design is used on festoon edge plate. After the 
panels have been spaced and drawn, outline the whole 
design in black mixed with a little red, enough to give a 
warm brown tone. The flowers and buds are in pink enamel. 
Make a body enamel of Aufsetzweis one-third, Hancock Hard 
Enamel one-third, adding to this amount one-eighth Flux. 
Make three shades of pink, by toning this body enamel with 
Hancock Carmine, remembering always that the color fires 
stronger when mixed with the enamel. 
For the green leaves, add to the body enamel tones of 
green obtained by mixing Apple Green, Mixing Yellow (equal 
parts) and a little black for the lighter greens. Darker greens 
are obtained by using Apple Green and Mixing Yellow (equal 
parts), Brown Green, Chrome Green 3b, and a little black. 
The wider band on the edge is the paler green, and the 
very narrow band next to it is gold. The two narrow bands 
outlining the panels are of gold and the darker green. The 
two narrow bands inside the shoulder of the plate are gold, 
with the design of leaves in the dark and light green. The 
panels containing the all over design of buds may be filled in 
gold or left perfectly white. This same design may be 
carried out in flat gold outlined with red or black on a white 
ground, or a ground of color or lustre. A gold design looks 
well on Yellow Brown Lustre. 
