2 4 2 
RERAMIC STUDIO 
ROYAL COPENHAGEN 
Mr. C. J. Liisberg 
ation about this modeling work which brings the potter's art 
close to that of the sculptor and is a pleasant diversion from 
the decoration of vases. Here decoration is nothing, the 
charm lying in the delicacy of the modeling, the expression 
attempted by many important factories both on the c ,, ,- , ., c •., r i 4. it a t u j 
r J J . r of the lines and the faithfulness to life. Among the modern 
continent and in England in the eighteenth and nineteenth c . • u ■ . , j .,• • 1 *. c 
fa & factories which have revived this. special art, Sevres comes 
centuries. The old figurines of Dresden, Sevres, Chelsea, c *. -..i <-u j c *.u r u u- ■*. c 
& j 3 1 first with the reproduction of the famous old biscuit ngunnes 
T 
MODELED FIGURINES AND ANIMALS 
COPENHAGEN PORCELAIN. 
HE modeling of figurines, ornamental pieces, etc., has been 
ROYAL COPENHAGEN 
, Mr. Chr. Tlion 
ROYAL COPENHAGEN 
Mr. C. F. Liisbei 
Derby, Bristol porcelain command to-day very high prices and the addition of many new charming models by celebrated 
and even the cruder ornamental pieces of the common Stafford- sculptors of our time. In a different style, but not less at- 
shire pottery of the last part of the eighteenth and beginning tractive, are the exquisite modelings of animal forms made at 
of the nineteenth century are much sought by collectors. Copenhagen, which are the subject of our illustrations. The 
For the skilled potter artist there is evidently a fascin- body is that fine hard porcelain with touches of color, mostly 
different shades of blue, green and grey, which is so charac- 
ROYAL COPENHAGEN 
Prof. R. A., Arnold Krog 
ROYAL COPENHAGEN 
Mr. C. T. Bonn 
