204 
RERAMIC STUDIO 
green then three grams of copper oxide are weighed out and 
transferred to the glass slab. A few drops of water are added 
and the oxide ground to a fine paste with the muUer. Now 
for the glaze. Ninety-seven grams of glaze weighed out will 
complete the hundred but this should not all be added to the 
copper at once. Little by little, with the addition of enough 
water to allow free motion, the glaze is placed on the glass, 
each portion being incorporated with the previous one until 
the whole is a light gray fluid mass. If one has to work by 
hand it is onty bj^ such precautions as these that a perfect 
mixture can be secured, 
work. 
On a large scale the mill does the 
■f If" 
General Palmer of Colorado Springs and Mrs. Bellainy 
Storer, the founder of the Rookwood Pottery, have formed a 
plan to utilize the clays, minerals and gems of the State of 
Colorado and to make Colorado Springs a manufacturing center 
for arts and crafts of an Oriental type. 
WILD STRAWBERRY DESIGN FOR JELLY JAR PLATE— JEANNE M. STEWART 
DRESDEN Yellow Red and Pompadour 23, may be mixed, 
equal parts, for the brightest tones in these little berries, 
and the Pompadour alone for the dark. Many of the berries, 
especially the smaller ones, may be painted in the greens and 
yellows, representing unripe fruit. The seeds shovdd not be 
made too prominent and a little high light taken out above 
the seed will tend to make the berries appear more luscious. 
Yellow, Turquoise, 01i\'e, Brown and Sliading Greens 
are used in the leaves. 
Lay in background in the second fire, using Ivory Yellow 
above the berries and leaves in a smooth tint, and Shading 
and Brown Green, equal parts, below. 
An extra fire will improve the dark green tint and the 
powder color may be dusted on in the la.st fire. 
