100 
KERAMIC STUDIO 
T 
BUTTERFLY DESIGN FOR VASE 
Treatment by Jessie M. Bard 
OUTLINES and all black spaces are painted with Black and 
fired . Second Fire — Tint all white spaces in the design and 
lower part of vase with a thin wash of Yellow Green to which 
a touch of Black has been added. Paint all the darker grey 
spaces with Dark Green and the lighter grey with Lemon Yel- 
low and a touch of Grey for Flesh. 
BUTTERFLY BORDER DESIGNS 
Treatment by Jessie M. Bard 
FIRST, second and fifth borders may be outlined with 
Grey for Flesh and a little Blood Red. Light grey tones 
are Albert Yellow and a little Grey for Flesh and the darker 
tones are Blood Red and a little Grey for Flesh. Background 
is a thin wash of Pearl Grey and a little Yellow. 
Third Border — All of this design may be carried out in 
Green Gold except the body of the bug and the small square 
forms, which are painted in with Yellow Green and Apple Green. 
Fourth Border — Outline and body of bug in Gold. The 
light grey form is a thin wash of Yellow Brown Lustre. Dark 
bands Gold. 
BUTTERFLIES AND MOTHS— GEORGIA B. SPAINHOWER 
BUTTERFLY STUDIES— (Page lOI) 
Edna Mann Shover 
'HE butterflies on china are most effective done in lustres. 
Outline with firm Black outlines, then fire. Use Black, 
Yellow Brown, Steel Blue for the larger spaces, for the white 
spaces, which are to be the brightest colors, use Orange or 
Yellow lustre. 
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BUTTERFLY BORDER DESIGNS— GEORGIA B. SPAINHOWER BUTTERFLY DESIGN FOR VASE-GEORGU B. SPAINHOWER 
