108 
KERAMIC STUDIO 
GHOST FLOWER OR INDIAN PIPE— PHOTO BY WALTER S. STILLMAN (Treatment page 96) 
The work shown by Miss Lingly places her among the very 
best of the Club's designers. Her design for a child's set was 
strong and delightfully thought out and adapted. The choc- 
olate set with conventionalized yellow rose was extremely suc- 
cessful in design, and wonderfully lovely in color. 
Mrs. Simond's punch bowl was one of the important pieces 
in the exhibition. It was very unusual in color, and the touch 
of red, orange, and black in the border gave a brilliance to a very 
successfully designed and executed piece. The fern dish, by 
the same member, showed a good design of conventionalized 
animals, and a pleasing color harmony. 
Miss Leach had a thoughtful exhibit, one of her most 
pleasing pieces being a plate in yellow, black and gold. Miss 
Suhr's luncheon set was a nice bit of table service. A very 
satisfying little fern jar was designed and executed by Miss 
Cameron. It was particularly good, both design and color 
being in harmony with the purpose of the jar. Mrs. N^e's 
fern bowl was another harmonious piece of work. It was 
nice in color, thoughtfully designed and well executed. 
Although the children's sets were the strong notes in 
both Miss Condit's and Mrs. Roderman's exhibits, yet Mrs. 
Roderman's bowl was a very creditable piece of work and a 
plate by Miss Condit was excellent in design and color. In 
Mrs. Black's exhibit was a little bowl with a basket-of-fruit 
motif. It was charmingly suggested and well treated through- 
out. Miss Witter's exhibit showed study and care. One of 
her best pieces was a candlestick in gold and white. Miss 
Paine's bowl in lustres was harmonious in color. 
Miss Douglas was very successful in the design and color 
of her large pitcher. The problem was a difficult one and very 
well and pleasingly solved. The color was particularly soft 
and quiet. Mrs. English's design expressed a quaint and 
individual point of view. Besides her table service for children 
was a deep plate of yellow earthen ware, decorated very flatly 
with flower and leaf motif. 
A few of the members allowed themselves not to be repre- 
sented. This is to be regretted, for one of the best lessons 
derived from an exhibition is one which reaches the exhibiting 
members through seeing their work in association with that of 
many other minds of different points of view. The standards 
of the Newark Club have always been so high that to find one- 
self represented at the annual exhibition is a distinction which 
all members should be jealous of receiving. 
