J30 
MIRAMIC STUDIO 
RECTANGULAR BOX 
Adah S. Murphy 
OUTLINE flowers and leaves in Black. Panels in gold. 
Make center flower yellow, shaded darker at bottom, 
with red center. Flower at right side mulberry. Flower 
at left side, blue. Leaves green. 
BLUE GRAPES (Page 126) 
Kathryn E. Cherry 
THE leaves are painted in with Moss Green, Yellow Brown 
and Albert Yellow on light side and Brown Green, Yel- 
low Green and touches of Blood Red on shadow side. The 
veins of leaves are Violet. The grapes are Banding Blue, 
Violet No. 2 on light side. Banding Blue, Copenhagen and a 
little Roman Purple on the dark side. The stems are Blood 
Red and Violet. The background is painted in with Violet 
No. 2, Blood Red and Yellow Green. 
Second Firing — Wash Deep Blue Green over the light side 
of the bunch of grapes, Violet No. 2 on shadow side. In the 
deepest touches use Banding Blue, Black and Roman Purple. 
Use same colors for retouching the leaves. 
CONVENTIONAL GRAPE PANEL— (Page 127) 
Olga Sorensen 
THIS design can be repeated around a cylindrical vase with 
good effect. An attractive treatment is to draw the 
design carefully and outline in Copenhagen Blue. Dust the 
background with the same color. After firing, dust the entire 
vase with Copenhagen Blue or Grey Green, according to shade 
desired. 
TOBACCO JAR 
/^UTLINE design in Gold. 
(Page 128) 
Paul Piering 
Second Fire. — The small 
flower form above and below center line, Orange Lustre, 
also the center pointed figure in lower fan shaped figure — body 
of beetle. All dark background a thin wash of Yellow Brown 
Lustre. Third Fire. — All light parts of design Yellow Lustre. 
Go over the Orange Lustre with the same. 
AFTER DINNER CUP AND SAUCER 
Clara L. Connor 
FIRST Fire— Outlines in Pompadour with sugar 
water. Tint all over with a very thin coat of 
equal parts of French Grey and Pompadour. 
Second Fire.— Go over design, handles and 
feet with Pompadour and French Grey. Retouch 
outlines if necessary. 
