170 
RERAMIC STUDIO 
TANKARD— HENRIETTA BARCLAY PAIST 
TANKARD, PEACOCK AND WISTARIA 
Henrietta Barclay Paist 
TRACE and outline the entire design including the 
boundary line, with outlining Grey or Black 
(water mixture). Tint the entire piece with a tint 
made of Copenhagen Grey, three-fourths; Copenhagen 
Blue, one-eighth; Blue Violet, one-eighth. 
After firing lay the foreground with a wash of 
Grey Green, padding to make an even tone. Lay the 
flowers with Blue Violet, (or any Violet color not too 
red); the leaves with Grey Green and the stems with 
a hght tone of Wood Brown. The peacock must be 
kept down, not as brilliant as usually treated. Begin 
by laying most of Blue Green over the head and neck, 
not too strong, blend gradually into Moss Green and 
then to Grey Green for the tail. Clean out the center 
of feathers, laying in Deep Blue Green in the eyes and 
Moss Green in the area around the eyes. 
The stone lantern at the extreme right is laid with 
Neutral Grey. Fire again and go over the colors deep- 
ening some of the flowers and smoothing and flattening 
the colors of the peacock. The foreground must be a 
little lighter than the tail. Three firings should com- 
plete this piece which should have a general tone of grey. 
BORDERS (Page 171) 
Treatmeyit by Jessie M. Bard 
NO. 1 — Leaves and stems are oiled and dusted with 
two parts Grey for Flesh, one part Pearl Grey, 
one part Apple Green. Flowers oiled and dusted with 
two parts Peach Blossom, one-half part Blood Red, 
one part Pearl Grey. 
No. 2 — Leaves and stems oiled and dusted with 
two parts Pearl Grey, one-half part Grey for Flesh and 
just a little Lemon Yellow. Flowers oiled and dusted 
with one part Lemon Yellow and four parts Pearl Grey. 
No. 3 — Leaves and stems oiled and dusted with one 
part Moss Green and four parts Pearl Grey. Flowers 
outlined with same color and painted with two parts 
Albert Yellow and one part Yellow Brown. 
No. 4 — Petals of flowers and the two inside bands 
are oiled and dusted with two parts Banding Blue, 
one-half part Copenhagen Blue, two parts Pearl Grey. 
The dots and two outer bands are Roman gold. 
No. 5 — Outhne Meissen Brown and a little Yellow 
Brown. Leaves and stems, small square are oiled and 
dusted with two parts Moss Green, one-half part Grey 
for Flesh, four parts Pearl Grey. Flowers oiled and 
dusted with four parts Pearl Grey, one part Yellow 
Brown, one-fourth part Meissen Brown. Background 
a soft Ivory tint. 
«f ¥- 
CELERY SALTS (Page 171) 
Treatment by Jessie M. Bard 
THE designs in two tones may be carried out en- 
tirely in Green Gold or a little Light Green or 
Yeflow Lustre may be used. For the three tones use 
Green Gold for the dark tone, Apple Green and little 
Lemon Yellow for the grey tones and Yellow Lustre for 
the light. 
