190 
RERAMIC STUDIO 
Bertha L. Locfcwood. Bessie S. Brower. Anna V. Cornish. 
Abbie Pope "Walker. Maud Meyers. 
Maud Meyer's offerings are all in dark coloring, making 
attractive spots among the more daintily colored pieces. She 
is represented by two vases in blue, a candlestick in black and 
silver, an incense jar in black and gold, and an effective satsuma 
vase in red and green enamels. 
Abbie Pope Walker sends a garden coffee set, quaint in 
design and colors of pale green, pink and gold. A very at- 
tractive salad bowl is in grey blue enamel with narrow gold 
bands. The effect of the basket of flowers in green, pink and 
black is pleasingly worked out upon a faience plate. A large 
bonbon with a geometric design in three colored golds and 
enamel jewels combined with green lustre is very successful. 
A landscape design in gold and silver outlined in paste is 
effectively carried out upon a very attractive fernery. Four 
pieces in pale gi'een lustre and a vase of lustre over gold, com- 
plete her exhibit. 
Marguerite Rood sends a beautiful vase decorated with a 
band of conventionalized nasturtium leaves and flowers in 
gold on a rich green lustre background. This is very success- 
ful both in design and color. 
GOLDEN-ROD AND BUTTERFLY (Supplement) 
Colored Photograph by Walter S. Stilhnan 
Treatment by Jessie M. Bard 
FOR the tender light on flowers use a thin wash of Lemon 
Yellow and for the warmer light use Albert Yellow, 
for the shadows add Yellow Brown and for the dark- 
est tone add a little Brown Green. Stems and leaves, 
Apple Green and a little Violet for the lights, add a little Brown 
Green for the shadows and for the darkest tones use Shading 
Green and Brown Green. Background, Grey for Flesh and 
little Lemon Yellow for the light tone and Grey for Flesh and 
Violet for the darker. 
Butterfly, Albert Yellow for the light tone shaded with a 
little Yellow Brown, Banding Blue and Black for the lights on 
the darker tone and Black with a little Ruby for the shadow 
side. 
IRIS, MME. CHEREAU, WHITE WITH VIOLET FRILL 
Photo by "Walter S, Stillman (Page 193) 
Treatment by Jessie M. Bard 
CAREFULLY draw this design in, then paint a backgi'ound 
with Copenhagen Blue, Violet No. 2 and Grey for Flesh. 
Then paint flowers, the shado'ws, with Apple Green, A'^iolet and 
a bit of Grey for Flesh. The edges are marked with Violet. 
The stamen is Yellow Brown, very thin and a little Grey for 
Flesh. The stems have a little Blood Red and Violet. The 
leaves are Apple Green and Shading Green. 
Second Firing — Use same colors used in first firing. Over 
the flowers wash a very thin wash of Lemon Yellow. The 
shadows are gone over very delicately. 
IRIS PALLIDA DALMATICA, LAVENDER BLUE 
Photo by "Walter S. Stillman (Page 192) 
Treatment by Jessie M. Bard 
FIRST Firing — Flowers are painted in very delicately with 
Violet No. 2, just a little Deep Blue Green and shaded 
with Violet and Apple Green. The yellow in flower is Lemon 
Yellow; the calyx is Yellow Brown and Brown Green used 
very thin; the stems are Apple Green and Brown Green. 
Leaves are Shading Green and Yellow Green. 
Second Firing — Touch up the shadow side on flowers with 
Banding Blue and a little Grey for Flesh, then shade leaves 
with Yellow Green and Brown Green. Paint background 
with Blood Red and Violet delicately and Brown Green and 
Shading Green around flowers. 
IRIS— JACQUESIANA, STANDARDS, GREY CLARET, 
FALLS, CLARET 
Photo by "Walter S. Stillman (Page 194) 
Treatment by Mrs. K. E. Cherry 
FOR the lighter side of flowers use Deep Blue Green, Band- 
ing Blue and Violet No. 2; for the darker side use Band- 
ing Blue and Royal Purple; in the very deepest touches use 
a little Roman Purple and Banding Blue; the markings are 
Lemon YeUow; the striping is Blood Red and Violet; the 
leaves are washed in with Shading Green and Yellow Green, 
very light, then the darker tones are Shading Green and Copen- 
hagen Blue and a little Black; the buds are Deep Blue Green 
and Violet; the lower part of flowers end buds are made with 
a thin wash of Yellow Brown and Brown Green. 
Second Fire — Use the same colors as first firing in flowers 
using the colors very light on the lighter side; use same colors 
in leaves on shadow side. Wash a thin wash of Apple Green 
over the light side; wash background with Lemon Yellow, 
Yellow Brown, Grey for Flesh and Violet; the stems are Lemon 
Yellow, Y''ellow Green shaded with Yellow Green and Shad- 
ing Green. 
STUDIO NOTE 
Miss May E. Reynolds, Auditorium Bldg., Chicago, 111., 
has recently bought out the entire studio stock and goodwill of 
Miss May Armstrong and will hereafter occupy both studios. 
Isabelle C. Kissinger, awarded the^F, B. Aulich Prize for the best decorated 
Lastre Vase 
