KERAMIC STUDIO 
231 
BOWL, GOURD MOTIF (Page 227) 
Henrietta Barclay Paist 
TRACE the design with India Ink. Go over it with Out- 
lining Black (water mixture). Let design lap over the 
inside as indicated. When dry tint the entire bowl with Neutral 
Yellow, Satsuma, or a mixture of Dresden Yellow Ochre, nine- 
tenths, and Black, one-tenth. After firing lay the leaves. 
stems and gourd in two tones of Grey Green. 
The flower is just tinged with soft Yellow, mix Albert 
Yellow and Yellow Ochre. Dry and outline all strongly again 
with Black (oil mixture). This firing should complete the 
bowl, but if the colors are not flat or values strong enough, 
repeat the washes of Green and fire again. This design is 
just as attractive on small cylinder vase or stein. 
SERVICE PLATE— M. W. CAUDLE 
Treatment by Jessie M. Bard 
OIL the grey tones in the flowers and dust with three 
parts Pearl Grey, one part Deep Blue Green. Oil 
the dark spaces in flowers and the dark bands and dust 
with two parts Sea Green, one part Banding Blue, two parts 
Pearl Grey. Oil the remainder of the design and dust with 
two parts Yellow Green, one part Sea Green, three parts Ivory 
Glaze, two parts Pearl Grey. 
Second Fire — Oil over entire surface and dust with Pearl 
Grey and a little Apple Green. (Original design 11-inch 
diameter). 
