ii4 
KERAMIC STUDIO 
designed, in which repetitions of patterns side by side pro- a very rich and refined effect, carried out in gold and enamels 
duce another or several other patterns. The colors used are with a ground of yellow ochre or pale blue or green, the dark 
dark blue, red, gold, shaded effects of red, blue, green and part in dark blue, dark green or red brown, 
purple into white used in flower-like ornaments, black, The teapot design is elaborated from the rose No. 4. The 
white, green, ochre and olive. 
Application to The plate design by Miss Vilas shows 
Modern wna t can be done by a pupil without any 
f pretension to originality, by simply taking a 
«• rose pattern and enlarging the outer design 
into a border pattern. Those who say that they can not 
design, should try this simple method to begin, and will soon 
find themselves making original designs. This designs makes 
dotted effect in the background is simply to indicate a differ- 
ent color. The tracery should be in flat gold, the wider parts 
in flat enamels, following the general color scheme given 
before. 
The sugar bowl is made from the rose design No. 1. This 
could be made with a jewelled effect in turquoise, white and 
gold. This is not an Arabian_ treatment, but would make a 
very effective design. 
The creamer is a combination of rose No. 2 and an in. 
scription from the Koran. This would look well in dull blue 
and white, or dark blue on a ground of yellow ochre covered 
with gold dots, the inscription in white. Or you can use any 
other combination of colors that fancy dictates, as long as the 
colors are those used by the Arabians. The inscription being 
Arabic, the whole scheme must be in keeping. 
