KERAMIC STUDIO 
painting has been revived by Messrs. Thooft and Labouchere. of the desired color are cut out in the paste, by following the 
Exact copies have been made of the fine specimens of the old lines of the design. Then the decoration is engraved and 
industry, the " Porcelain Bottle" having some of the best painting done with colored slips. Only one firing is done, 
models on hand, as it possesses the valuable collection of old that of high temperature for stoneware. These tiles being 
Delft given to the factory by H. M. William II. unglazed come out of the kiln with mat color effects. However, 
However, most of the new Stannifer Delft consists of the paste is of a special composition which produces quite 
original pieces with polychrome decoration, having charac- brilliant colors without the use of glazes, 
teristics of its own 
and resembling the 
old ware only by the 
slightlybluish enamel 
which makes such a 
fine background for 
the polychrome deco- 
ration. 
JACOBA FAIENCE. 
This new ware 
created by A. Le 
Comte is entirely dif- 
ferent from the old 
Delft products. 
Made of native clay 
it is decorated by en- 
graving the design 
with a stylus. After 
the first firing,"grand 
feu" colors and 
lustres with metallic 
effects are applied, 
the coloring being 
intensified by the 
naturally reddish 
color of the paste. 
This faience is used 
especially for vases, 
flower pots and tiles. 
Stoneware is pre- 
ferred for the body 
of the Jacoba ware, 
when large pieces, 
not absolutely decor- 
ative, are made, such 
as details of architec- 
ture, mantelpieces, 
friezes, &c. 
STONEWARE TILING 
OF CUT OUT TILES. 
This is a new tiling 
process which does 
away with the net- 
work of lines formed 
by the usual, regular, 
square tiling. 
It is composed of un- 
even tiles having the 
shape and size of the details of the composition. These tiles 
Decorative panel in cut out tiles, by A. Le Comte. 
Mark of Delft Faience, 
Mark of Jacoba Faience. 
T EAGUE 
NOTES 
The National 
League of Mineral 
Painters has now en- 
rolled the following 
clubs: Augusta 
China Decorators' 
Club, Bridgeport 
League of Keramic 
Art, Brooklyn So- 
ciety of Mineral 
Painters, California 
Keramic Club, Chi- 
cago Ceramic Asso- 
c i a t i o n , Detroit 
Keramic Art Club, 
Duquesne Ceramic 
Club, Jersey City 
Keramic Art Club, 
Mineral Art Club of 
Denver, Mineral Art 
League of Boston, 
New York Society of 
Keramic Arts, Port- 
land China Decora- 
tors' Club, Provi- 
dence Keramic Club, 
Wisconsin Keramic 
Art Club. Individual 
members 47. 
A majority of the 
clubs will contribute 
to the League's com- 
parative exhibition, 
which will open at 
M. T. Wynne's, 11 
East 20th St., New 
York, at 10 A. M., 
Wednesday, May 
7th, and continue 
until Friday, May 
16th. 
Instead of New 
York, Brooklyn and 
Jersey City enter- 
taining the exhibition separately, an arrangement has been 
made whereby the New York Society of Keramic Arts, the 
Brooklyn League of Mineral Painters, and the Jersey City 
Keramic Art Club will together open the League's 1902 exhi- 
bition and have charge of it while in New York. 
These clubs are arranging to secure judges from among 
the most advanced instructors and critics of modern design, 
who shall not only be conversant with the principles of orna- 
