RERAMIC STUDIO 
TREATMENT FOR TRAY— NASTURTIUMS 
Mariam L. Candler 
FOR the Nasturtium design, use the following palette : For 
the flowers, Pompadour Red, Flesh, Roman Purple, 
Lemon Yellow, Yellow Brown, Copenhagen Blue; for the 
light colored Nasturtiums in the center, use Lemon Yellow 
and Egg Yellow ; for the dark markings, use Yellow Brown and 
Finishing Brown ; for the other Nasturtiums, wash in with 
Pompadour Red and Flesh; the striped effects are made with 
Roman Purple, a little Pompadour Red and a touch of Bruns- 
wick Black; the leaves are a combination of Duck Green, Deep 
Blue Green; Yellow and Grey for flowers; for the shadow 
leaves and blossoms, use Warm Grey and a little Deep Blue 
Green; the stems are Moss Green, shaded with Brown Green. 
Flush in the background with Chinese Yellow, a dash 
of Pompadour (delicate shades), Russian Green and Duck 
Green. Use a little Violet of Iron under Copenhagen Blue, 
for strong effect under the leaves and blossoms, then carefully 
blend these colors. For the second firing, retouch with same 
colors, accenting where necessary. 
SCULPTURE EXHIBIT 
The first large art exhibition of the year was the one of 
sculpture made in conjunction with the annual floral display 
under the auspices of the New York Floral Club, at Madison 
Square Garden. The sculpture exhibit which was under the 
general charge of Mr. Karl Bitter, representing the New York 
Sculpture Society, comprised over two hundred pieces. 
The prize list offered by the Florist Club brought alj the 
noted gardens and gardeners in competition, and there were 
changes in the flowers and special exhibits each day. 
The last exhibit of the National Sculpture Society made 
in the Fine Arts Galleries three years ago, while interesting 
due to the charming arrangement of the Galleries as an 
Italian Garden, suffered a little in effectiveness owing to the 
comparatively limited space. This year the large floor area 
of the Garden obviated any difficulty in this respect. 
Sculpture is never seen to as much advantage as when 
shown with flowers and evergreens, and the garden presented a 
scene of beauty during the exhibition which lasted a week, or 
until November sixteen inclusive, and was open on Sunday. 
DESIGN FOR TILE— JEANNETTE KIMBALL 
This design is to be simply treated in one or two tones to suit the room in which it is used. The design to be in one color 
on a white or tinted ground ; rather neutral tones are to be preferred, such as greyish blue, greyish green, greyish pink, etc. 
For an Egyptian effect, a ground of yellow ochre is used with the design in a mixture of yellow ochre and pompadour. 
