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RERAMIC STUDIO 
APPLE STUDY (Page 241) 
*TPINT first with Orange Yellow and Brown 4 or 17 and 
* fire. Paint leaves in Olive Green and Black, mak- 
ing black turned over parts in a dark blue green tone — 
Russian and Dark Green. Stems, Brown 4 or 17 modeled 
a very little. Apples, Blood Red, Meissen Brown, Yellow 
Brown and Olive Green. Keep strongest color in largest 
one and small one above it, using more red in parts where 
the light and shadow meet and more green toward lower 
part. Darkest parts Blood Red running into Meissen 
Brown lower down. Use Yellow Brown with Blood Red 
in lights. More green and brown in the less important 
apples. 
WATER COLOR TREATMENT 
First lay on a wash of Raw Sienna and Black over 
the entire surface. Leaves, Flat Green, Hooker's Green 
No. 2, and Raw Sienna to make it quite warm. 
Stems, Van Dyke Brown with a little Crimson Lake. Model 
slightly. For apples use Yellow Ochre, Burnt Sienna, 
Vermillion and Sap Green, following same plan as suggested 
in the mineral treatment. Outline in Ivory Black with 
Japanese brush, accenting lines here and there. 
CHILD'S BOWL 
nPINT with Yellow Ochre and Black and fire. Outline 
with Black mixed with sugar and water, using either 
pen or brush. Draw figures with care to keep the char- 
acter. Do whole design in Copenhagen Grey and dust, 
then tint body of bowl in same color. A treatment in 
greens would be good. First fire a tint of Brown Green. 
Then put in forms in Olive Green and outline in Black. 
Lastly a coat of Orange Lustre might be added over the 
entire band. 
BORDERS FOR DINNER PLATES 
*TpWO shades of green, blue, red, or brown— all more 
*■ or less subdued — and gold for black parts would be 
an effective treatment for these simple designs. In any 
case the color in the largest masses should be most sub- 
dued, depending for richness upon the gold background, 
and purer color in the smaller forms. 
