KERAMIC STUDIO 
PLATE— ALBERT W. HECKMAN 
A FTER having placed the important lines of the design on 
■**- the piece of china to be painted with India ink, tint the 
lighter parts of the design a delicate cream color and darker 
parts of the background a light £reen. Let the paint dry 
well or bake in a hot oven and then paint in the flower forms 
and stems of the flowers in two parts Banding Blue and one 
part Deep Blue Green. For all the other parts of the design 
use a light Warm Green. 
SATSUMA BOWL— KATHRYN E. CHERRY 
OUTLINE design with Black. The outside of roses is 
Warmest Pink Enamel. The light tone next to it is 
Jasmine, the next circle and the small circle in the background 
and inside of bowl are Wistaria. The centers of the roses and 
of the small circles are Pompeian Red. The small centers in 
buds are 1 part Warmest Pink, 1 part Wistaria. Stems, small 
leaves, remainder of buds and lower part of jar are Florentine 
No. 1. The remainder of design is Gold. If this is carried 
out on Satsuma the gold may be put on for the first fire as it 
does not over fire so easily but if Belleek is used, enough fire hot 
to glaze the enamels the first time and then apply gold for 
second fire and fire for the Gold and the enamels will retain 
the glaze. 
