KERAMIC STUDIO 
use several tones of grey green. Tint the ground with Ivory. 
The flowers may be developed in their natural colors also. 
For the darker parts use a wash of Ruby or Pompadour Red 
and for the lighter parts use two tones of Grey Green or Meis- 
sen Brown. The two medallions on the right, the border, 
the lower part of the rectangular box, and the saucer are de- 
signed from the bud, which is Grey Green. The border may 
be done in Gold bands and lines or in several tones of green. 
PITCHER 
Marguerite Cameron 
ONE fire^Paint all lines Black Enamel. Stems, leaves 
and centers of flowers Deep Blue Green Enamel. Flow- 
ers Turquoise Enamel. 
INDIAN DESIGN IN DUSTED COLOR (Page 13) 
W. K. Titze 
13LACK portions Black, light tint in Yellow Brown, dark 
•*-* tint in Blood Red. First dust Yellow Brown and fire, 
then dust the red flowers and paint on the Black and fire 
again. 
BREAKFAST SET— EULA L. McELHINNY 
'T V HE outline may be omitted but if preferred use Black. 
■*- Oil the leaves, stems, the upper and two lower bands 
and dust with Florentine Green. Oil large petals of flowers, 
the two bands between the sections and the triangle in the 
stem and dust with Grey Blue. Oil the 3 small spaces in 
flower and dust with Mode and the center with 3 parts Albert 
Yellow and 2 parts Pearl Grey. 
