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KERAMIC STUDIO 
DESIGN FOR BOWL (Page 86) 
Mrs. Dante C. Babbitt 
\ BELLEEK bowl will be the best selection. Tint all 
-**• over with Warren's Grey Green glaze and fire. Divide 
into three parts, draw design accurately for one part and care- 
fully trace balance. If not sure of one's self it is now best to 
lightly go over tracing with ink. Then outline in equal parts 
Grey for Flesh and Black. Do not fire until you know your 
outlining is perfect. The flowers are white enamel toned ever 
so slightly with Yellow Brown. The center, markings and 
pistil of flower are Pale Lavender. Mix a small quantity a 
trifle deeper in tone to shade the little seed like center. The 
stems, bud forms and all bands and lines are Warren's Green 
enamel No. 2 and one-half Relief White with a touch of Brown 
Green for more depth. The diamond shapes in border are 
Lavender and larger half circles of the green enamel mixture. 
The beauty of this simple design with its quiet coloring is de- 
pending chiefly upon the care and accuracy of the execution. 
DRESSER SET (Page 79) 
Kathryn E. Cherry 
OIL the roses and dust with Cameo 2 parts, Peach Blossom 
2 parts. The green is Florentine Green. Paint in the daisies 
with Deep Blue Green and Banding Blue, the centers are Yel- 
low Brown. Then paint in the Gold. 
Second Fire — Paint in the background with Yellow Brown 
Grey Yellow and Grey for Flesh. Then go over the gold again' 
HONEY JAR AND PLATE, FRUIT MOTIF— SARA E. KING 
FIRST Fire — Outline in Deep Violet. Second Fire— Tint small inset, thin wash of Roman Gold. Third Fire — Shade 
back-ground in Oriental Ivory. Before going further, peaches with light tone of Blood Red; accent grapes with Royal 
clean up bands and design carefully. Paint peaches Albert Purple; and go over gold parts. 
Yellow; leaves, Leaf Green; grapes, Violet; bands, handle and 
