214 
KERAMIC STUDIO 
MAY E. REYNOLDS Page Editor 
116 Auditorium Building, Chicago, III. 
COMPORT, GRAPES 
ClRST Fire — Outline the design in outlining ink, and put 
■ in tint in background of Peacock Blue. Paint in grapes 
in Crimson Purple, Violet and American Beauty. In the 
reddish tones use a little Pompadour, for the yellow grapes 
use Lemon Yellow, a touch of Apple Green and Yellow Green 
and Egg Yellow in the deep tones. Leaves in Apple Green, 
Yellow Green, Brown Green, Empire Green and Dark Green 
in the shadow leaves, Grass Green in the bright places. Fin- 
ishing Brown, Violet of Iron and Yellow Brown in the back- 
ground, also Trenton Ivory in the lighter tones of the back- 
ground. Finishing Brown and Hair Brown and a touch of 
Best Black in the stems and veins. Lay in Roman Gold in 
the design. 
Second Fire — Retouch grapes, go over the color in back- 
ground tint if necessary with Peacock Blue and lay in gold for 
the second time in design. 
PINES (Page 217) 
M. Janie Launt 
LIGHT needles are Brown Green and Shading Green; 
those in shadow are Violet and Yellow Green. Blos- 
som is Violet with touches of Albert Yellow at tip. Stems 
Brown Green with accents of Hair Brown. Background 
Light Grey with touch of Green. 
BOWL (Page 217) 
M. Janie Launt 
PINE cones, front view, Orange Yellow toned with Black 
and a touch of Hair Brown. Pine cones, side views 
Yellow Green with a touch of Brown. Dark needles and lower 
band Shading Green toned with Black. Light needles and 
upper band Apple Green with touch of Shading Green. Back- 
ground of panels tint of Yellow Green very light. Outlines, 
where used, of Hair Brown with touch of Shading Green. 
TOP OF JAR 
MARMALADE JAR— HENRIETTA BARCLAY PAIST 
(Treatment page 203) 
